As an emerging author in the realm of Jane Austen Fanfiction (J.A.F.F.), I have introduced Jewish characters thus far into the world of Pride and Prejudice, as well as Persuasion. I purposely didn’t alter the beloved characters created by Austen’s imagination. I mean, of course, that Anglicans remain Anglicans. Instead, I present the reader with a different—more inclusive—makeup of the communities where said characters reside.
Some people may question why I chose this path, rather than the racebending or race-lifting phenomenon we are seeing today in fandom. Transforming the Bennets or Mr. Darcy as Jewish role models would not have satisfied my creativity. Instead, I wanted to personalize the canon with my heritage, so that our collective experiences in that period—known as The Regency—would not go unacknowledged. Some may question why I would want to meddle with works of art in the first place. They are classic novels, loved the world over. The answer is simple: It goes back to the practice of creating a midrash.
I’ve read several editorials and essays that pose an intriguing hypothesis. The authors stipulate that the concept of fanfiction is an accepted and familiar practice in Judaism. And I wholeheartedly agree. It is a truth universally acknowledged that our sages and their faithful students have been reinterpreting biblical texts in the hopes to discover new insights, to make them more accessible, or even to reveal different conclusions. It is in keeping with our traditions to reimagine these sacred passages, to personalize the story with our own life experiences or even to postulate the unknown—the “what-ifs.” These new interpretations or reworkings are known as midrash.
According to penlighten.com, “Fanfiction is basically fiction written by fans or, to put it in a better way, admirers of the original work. Fanfiction writers include much of the same characters and also sometimes choose to add new ones. Fanfiction stories often reflect the writer’s view (in this case, the view of the reader of the original work) as to what should have happened in that particular story.”
The great Ibn Ezra’s opinion on Midrash Aggadah was pretty clear. There are words, and there are meanings. As long as the reader gets the meaning of the text, it doesn’t matter how the message is communicated. Therefore (Finally! I’m getting to my point!) in my next series of blog posts, I mean to provide a ‘drash on Judaic themes in Regency literature by expressing how we can find Judaism in Austen’s work. Hopefully, this will encourage other authors, and readers, to open their minds to this particular genre. And that might have the happy chance of prompting even more discussion!
While Austen was the daughter of an Anglican minister, she didn’t follow the admonishments of clergymen such as James Fordyce, a Presbyterian minister infamous for his Sermons for Young Women. However, her work—or her “pestiferous” novels, as labeled by Fordyce—were characterized by morality. This could be recognized by her characters manners, their sense of duty to society, and their religious affinity. Furthermore, no self-important or indolent clergyman was safe from Austen’s eagle eye and sharp wit.

Without a doubt, she had strong opinions of correct and proper behavior, but Heaven help the poor soul that was caught in her crosshairs! She examined and cross-examined everyday life. Everyone was fair game. Everything was questioned and brought to light.
That is the epitome of Jewish study, is it not?
Throughout Austen fandom it has been said that Jane very likely never met a Jewish person; but her upbringing in the Anglican church would have given her sufficient exposure to Judaic theology and that is enough for me to proceed. Without further ado, ladies and gentlemen, today’s post will deal specifically with Pride and Prejudice.
EISHET CHAYIL~ A Woman of Valor
In Chapter Eight, we find Mr. Darcy, Miss Elizabeth Bennet, Miss Caroline Bingley, Mr. Bingley and Mr. and Mrs. Hurst in the drawing room. Miss Bennet is holding her own against Miss Bingley’s abuse. She is being chided for wishing to read, instead of joining the party at cards. The point of the conversation is to draw Mr. Darcy’s attention to Miss Bennet’s lack of social graces and accomplishments. But Miss Bingley miscalculates in offering her definition of a lady of Quality and Mr. Darcy, indubitably, puts her in her place.
All this she must possess,” added Darcy, “and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.”
Elizabeth Bennet expresses her amazement at Mr. Darcy’s description of an accomplished woman. To my ears, it all sounded vaguely familiar.
I am no longer surprised at your knowing only six accomplished women. I rather wonder now at your knowing any.”
Where do we find similar commentary within our liturgy?

Take a look at Proverbs, and in particular, Eishet Chayil, A Woman of Valor Who Can Find? Austen’s use and understanding of biblical language seems to be jumping off the page! Without a doubt, Jane Austen was familiar with these words. Her own dear brother made certain to memorialize her using a quote from the same Proverb 31.
She opens her mouth with wisdom; and in her tongue is the law of kindness”
In today’s society, a woman is expected to be a superhero. She must be a good daughter, wife and mother. She must be teacher, nurse, caregiver, friend, homemaker, and provider. As Jewish families gather around the Shabbos table, husbands sing King Solomon’s praise of their Eishet Chayil. I would guess many women, exhausted and possibly overwhelmed, may secretly wonder if they are worthy of such a tribute. Can anyone truly live up to such perfection? I believe that is Elizabeth Bennet’s question. She challenges Mr. Darcy’s remark with great bewilderment.
I never saw such capacity, and taste, and application, and elegance, as you describe united.”
But according to a midrash, King Solomon was not actually describing one perfect woman. He was describing the combine attributes of our matriarchs and biblical heroines. They each brought their own treasured qualities and values. King Solomon did not expect one woman to do it all. Rather, the idea was that each woman should be held in high regard for her own precious and unique gifts.
Mr. Darcy, through the wisdom and creativity of Austen, was able to comprehend “a great deal.” He observed Miss Bennet’s skirts covered “six inches deep in mud…her hair, so untidy, so blowsy!” Instead of censuring her lack of grace, he saw a woman who cared not for her appearance. Her mission that day was to attend her sister, Jane, who was ill and needed nursing. He saw a woman who could not be swayed by the pressure of the group and stood her ground to read a book, rather than to play at cards. We know that Mr. Darcy despises cunning and deception; and in my view, Austen portrayed Elizabeth Bennet —at least in this chapter—as an Eishet Chayil. Her true character is showcased by her good actions and generous spirit.
LASHON HARA~ Gossip
We are introduced to George Wickham, that evil cur, in Chapter Fifteen when he arrives in Meryton to join the militia. He is handsome and amiable. Miss Elizabeth Bennet quickly falls for his charms. Although she prides herself for being astute and a good judge of character, Elizabeth is easy prey for Wickham’s mean-spirted insinuations and outright lies.
Mr. Wickham was therefore at leisure to talk to Elizabeth, and she was very willing to hear him, though what she chiefly wished to hear she could not hope to be told—the history of his acquaintance with Mr. Darcy.
It is not until Chapter Thirty-six, when Elizabeth is presented with a letter from Mr. Darcy, that she comes to terms with her error in judgement. Had she behaved according to the precepts of her faith, her upbringing, and her own good sense, Elizabeth would have refrained from participating in such idle gossip.
She grew absolutely ashamed of herself. Of neither Darcy nor Wickham could she think without feeling she had been blind, partial, prejudiced, absurd.
In allowing herself to listen to Wickham’s diatribe against Mr. Darcy, Elizabeth all-too eagerly solidified her poor impression of an innocent man. And in doing so, Elizabeth causes needless distress to herself, Mr. Darcy, to her family, and to Meryton at large. Shortly after, George Wickham’s evil nature is exposed for all to see when he steals away with Lydia Bennet, the youngest sister. Elizabeth suffers cruelly for the part she played in her family’s undoing, not to mention her own broken heart. Again, I say, this speaks to how much Austen’s Judeo-Christian upbringing influenced her work.
In our tradition, we are commanded to remember how siblings, Miriam and Aaron, listened to gossip about Moses’ private affairs with his wife… “And God heard.” Miriam was considered the instigator of the incident and was severely punished with Zora’at—leprosy. When you take into consideration that brother and sister spoke to Moses privately and apparently with his best interests at heart, it is clear that the sin of lashon hara is grave, indeed. Mr. Wickham and Elizabeth spoke behind Mr. Darcy’s back. A worse affront, to be sure. Elizabeth’s penalty was not of biblical proportions; nevertheless, Austen’s message comes through all the same.
ZELOPHEHAD and his FIVE DAUGHTERS
Several years ago, a clever man suggested that the film, Fiddler on the Roof, shares common themes with Austen’s Pride and Prejudice. In his blog, Robert Lockard brings up the similarities in between the Mother/Father relationship, rejecting a marriage proposal, forbidden love, soul mates, and losing one’s home. Needless to say, the author also mentions that the Bennets have five daughters, as do Tevye and his wife. I’m willing to take it one step further. Could Austen have been thinking of Zelophehad and his five daughters when she plotted out her storyline?
In Numbers 27, we are introduced to a family of five sisters: Mahlah, Noah, Hoglah, Milcah and Tirzah. As their father, Zelophehad, has died, the women are dependent on marriage to secure their future. Just as we see in the Bennet household with regard to the entail of Longbourn, these sisters may not inherit their father’s land. But here is where the two stories differ. Unlike the Bennets, these sisters speak up! They take their claim to Moses, who refers the question to God. And He says:
The plea of Zelophehad’s daughters is just: you should give them a hereditary holding among their father’s kinsmen; transfer their father’s share to them
Numbers 27:7
Of course, if Austen followed the suggestion found in her bible, her plot would have lost its arc. Mr. Darcy— and his ten thousand a year— would have been superfluous! Perish the thought! I still hold fast to my hypothesis and will continue with my examination of Judaic themes in Austen’s novels; only now, I will offer up my own work as an example.
LECH LECHA~ Go forth or Go towards yourself
In my book Celestial Persuasion, Abigail Isaacs finds herself at a crossroads. With few alternatives before her, Abigail chooses to heed her brother’s wishes and leaves home and hearth to make her way to a strange and distant land. I can’t help but connect this with the message that was given to Abram.
Go from your land, from your birthplace and from your father’s house, to the land which I will show you.”
Genesis 12:1
In researching this parsha (this section), I was drawn to a Kabbalistic interpretation of these famous words. Go from your land, becomes Go from your will—set aside your plans, your limited views of what you can become. From your birthplace, is understood to mean, walk away from your emotional self—which, as often is the case, is the product of one’s environment. From your father’s house, refers to the intellect or that which has the authority over one’s feelings and behavior. This interpretation fits my protagonist to a T.
Abigail Isaacs is a woman torn. She had set her eyes on a certain path and dedicated herself to fulfilling that one goal. In the process, Abigail closed the door on love, on the possibility of being hurt, of making mistakes. Tucked away in her observatory, she was safe. She set hard boundaries and felt secure. When her brother seemingly speaks to her from beyond the celestial veil, Abigail—much like Abram—is challenged to go forth and to become what she was always meant to be. I only can add that I hope you pick up a copy of the book and see how the story unfolds.
That’s all for today, my friends, but stay tuned. Next time, we’ll take a look at Emma.

Very interesting, Mirta! And yes, as a clergyman’s daughter who was devoutly religious herself, Jane Austen would have been very familiar with the passages you cite from the Torah, which are in the Old Testament section of the Christian Bible.
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Hi Debbie. Thanks for stopping by! I’m glad you enjoyed the post. I appreciate your thoughts.
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Hi Mirta: It’s always delightful to read one of your posts. When I began writing my own Jewish Regency Romancs and very few Jewish characters in Regency Romances, and no Regency Romances with Jewish main characters. Since then, you and others have changed that, at least to some extent. There are still very few Jewish Characters who are observant Jews and, sadly, some times those portrayals are not accurate.
I loved this post because it draws on our tradition while analyzing the phenomenon of fanfiction beautifully. I thought you might be interested to a little highlight that I sometimes add to our Shabbat table. First, it is our custom for women to sit while the men stand to sing the tribute to the Valiant Woman. Second, occasionally, I will remark that some more mystically inclined men have asserted that the praise is not to the woman of the house but to “The Shabbat Queen.” My response is “then let her cook dinner.” Gets a smile from the women and usually a chuckle from the men. I look forward to more of your eloquent posts. Shana Tova!
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I enjoyed reading your comments and agree wholeheartedly! 🙂 Shana tova!
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