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The Musings of an Austenesque Novelist~ Following the Crumbs: Part I

In The Jews of Donwell Abbey: An Emma Vagary, I weave a unique backstory into Jane Austen’s novel and allow Miss Harriet Smith to come to the forefront. Austen gives us a glimpse at this secondary character, this “natural daughter of nobody knows whom.” Readers must form their own conclusions—until the very end, when Austen provides a sentence or two in an attempt to wrap things up. But does she attempt to satisfy our curiosity—or does she mean to tease? In the famous Grimm’s fairy tale, Hansel and Gretel drop crumbs along their trail, leaving a path for others to follow. Can you guess where I’m going with this? Naturally, I had to follow the crumbs Austen left behind. There was another story to tell—I was sure of it—one with new characters and a Jewish storyline.

Austen provides a scenario in “Emma” that set my creative wheels in motion. I don’t want to reveal too much; but, for those of you who have read the original novel, the chapter that sends Mr. Elton off to London with Miss Smith’s portrait in hand provided my first crumb. A plot unfolded easily enough in my mind. The challenge was to ensure that historical events matched Austen’s timeline. You see, in other novels, I’ve used my own family’s immigrant experience to authenticate my protagonist’s journey. However, the exodus from Imperial Russia did not coincide with the Jewish population in Regency England. I had to look elsewhere. The timeframe allowed for a population of a majority of Sephardic Jews and a smattering of Ashkenazim of German descent.

This second crumb sent me whirling further down the rabbit hole until the Weiss family was created and I placed them in London. They were an immigrant family; their original home, I decided, was in the Judengassin—the Jewish ghetto in Frankfurt. I had to find the impetus for their migration, something catastrophic that opened the ghetto gates and allowed for their freedom. And here is the conundrum that all authors face. A plot is conceived, the players are named, but the story cries out for historical accuracy. It may only be a few sentences; but, as any author will tell you, that sense of time and place requires hours and hours of research. And that was precisely what happened to me.

Without batting an eye, I could tell you about the Jewish Colonization Association and the immigration from Imperial Russia to Argentina. I could describe the lives of Jewish gauchos or the “cuentaniks” of Buenos Aires. What I can’t—or couldn’t—do is explain how immigrants fleeing Germany’s infamous Judengasse (Jewish Street) found their way into an Austenesque novel.

Research, my dear reader, research

In Heinrich Heine’s book, “The Rabbi of Bacherach,” the narrative unfolds in the 15th century where Kaiser Friedrich III and Pope Pius II demand that twenty Jewish families be removed from their homes and resettled in the Judengasse. By the year 1500, approximately 100 people live in the area nicknamed, “The New Egypt.” One hundred people in 14 houses. By 1600, there were 3,000 people living in 197 houses, wooden structures that were crammed together, story upon story until they blocked out the sun, reduced air flow, and created hazards that resulted in massive fires—three of historic consequence in 1711, 1721, and 1774.

Rabbi Naphtali Cohen

Rabbi Naphtali Cohen was called to Frankfurt am Main after his house was destroyed on January 14, 1711. Summoned to testify before the court, it was noted that the fire consumed the entire Jewish ghetto, but the rabbi—known for his Kabbalistic practice—had had the audacity to survive. Not only did he survive, the kabbalist was accused of “preventing the extinguishing of the fire by ordinary means.” The rabbi was accused of witchcraft and summarily thrown into prison. He was set free by renouncing his title and practice.

Juda Low Baruch, otherwise known as the poet, Ludwig Borne, lived in the ghetto during the late 1700s. His memories are bleak, to say the least. “The highly celebrated light of the eighteenth century has not yet been able to penetrate [the Judengasse].” His writings expressed disgust, anger, despair—futility. “If one were to consider play in childhood as the model for the reality of life, then the cradle of these children must be the grave of every encouragement, every exuberance, every friendship, every joy in life. Are you afraid that these towering houses will collapse over us? O fear nothing! They are thoroughly reinforced, the cages of clipped birds, resting on the cornerstone of eternal ill-will, well walled up by the industrious hands of greed, and mortared with the sweat of tortured slaves. Do not hesitate. They stand firm and will never fall.”

Adolf von Knigge, a German author, blamed the horrific living conditions on his Christian brethren. In his work entitled, “The Story of My Life”, he reminds his audience that these Jewish families were once “craftsmen, wine-growers and gardeners.” They once lived freely and contributed to society; however, “ecclesiastical ordinances” reduced them to peddling and to “practices of usury.” The very people who condemned this once-proud society to live in squalor, were the first to criticize and ridicule. For Knigge, these actions were the very antithesis of an enlightened society. His work was known to speak out against “aristocratic courtly culture as [being] superficial, immoderate, and wholly lacking in inner values.”

In his novel, “Labyrinth,” Jens Baggesen describes the inhuman living conditions he witnessed in the Judengassin of Frankfurt. This Danish-German author advocated for German Jews, locked behind ghetto gates night after night, not to mention Sundays and on all Christian holidays. How could an enlightened society allow such a thing? They were denied the pleasure of open air, of walks in the parks and plazas. They couldn’t patronize restaurants or coffee shops, or “walk more than two abreast in the street.” Baggesen leant his voice to the growing movement for civil rights and Jewish emancipation.

Many people have heard the name Rothschild. Mayer Amschel Rothschild and his descendants are very likely the most famous people to have lived in the Judengasse. Their surname evokes images of great wealth and power. For some, the name inspires thoughts of moxie and resourcefulness. For others, it inspires thoughts of greed and manipulation. What is the truth?

By 1560, Mayer’s ancestor, Isak, was confined to living in the ghetto. It was common for residents to be known by their address, so the family surname was most likely taken from the red shield (zum roten schild) that hung at their front door. Isak and his family were known to be pious and relatively successful cloth merchants. By the time Isak died in 1585, he had accumulated an income of 2,700 gulden. His great grandson, Kalman, had an income more than twice as large, and his son, Moses—Mayer Amschel’s grandfather—continued to prosper by not only dealing with silks and other costly materials, but with rare and foreign coins. This was not an unusual practice; Frankfurt was centrally located and was popular with businessmen from various neighboring towns and countries—not to mention noblemen and politicians.

Mayer’s father, successful merchant and patriarch, continued to live in a modest home with his family. It had been designed to suit their business needs, with an office on the ground floor, a kitchen on the first floor, and bedrooms on the top level. Mayer was allowed to attend rabbinical school at Furth, although he later was known to have said that he “only studied his religion in order to be a good Jew.” When both his parents succumbed to an unknown, but inevitable, epidemic that attacked ghetto inhabitants, Mayer’s studies came to end. He returned home for a brief time, before being sent to Hanover to apprentice with his father’s associate, Wolf Jakob Oppenheim.

Mayer was just twelve years of age when his journey into the privileged and elite world began. He learned what it meant to be a “court Jew,” garnering knowledge from Oppenheim’s family, court agents to the Austrian Emperor and the Bishop of Cologne. He learned how to work with aristocrats who were always in the business of buying and selling rare coins, jewels, and medals. In this manner, Mayer returned to Frankfurt, somewhere around 1764, a prosperous and renown businessman. In 1769, he was granted the title of court agent. In August of 1770, at the age of twenty-six, he married his beloved, Gutle, the sixteen-year-old daughter of Wolf Salomon Schnapper, court agent to the Prince of Saxe-Meiningen. All this success, and yet, he and his wife were confined to the ghetto.

Gutle Rothschild

Mayer and Gutle went on to have a large family; nineteen children were born, ten survived. While Gutle managed home and hearth, Mayer continued to grow more prosperous. By the mid-1780s, the Rothschilds had accumulated approximately 150,000 gulden and were able to move into a new home—substantially larger, yet still behind the ghetto gates. The new house, known as “the green shield” (zum grunen schild—they didn’t change their name at this point), was approximately fourteen feet wide. The rooms were narrow and cramped. The children all slept together in the attic. Still, it was considered to be a desirable residence. It had its own water pump! The lavatory was outside in a small courtyard. From these humble beginnings, a powerful and philanthropic family emerged.

Rothschild Coat of Arms 1817

To this day, the Rothschilds are criticized, judged, and maligned. Everyone has an opinion on their legacy. Perhaps, like Rabbi Naphtali Cohen, it would have been better if they had succumbed to their wretched circumstances. Perhaps they should have had the decency to fail miserably. Perhaps it is envy that is behind the contempt for the Jew.

The antisemitism we are living today does not differ much from what we have seen in the past. But that’s why understanding our own history, even in the form of “light” historical fiction or so-called, “Chick Lit” is vital. The past may reveal many injustices, but it also reveals our courage and our determination to survive—and to thrive.

Dignity is a powerful thing. We shall use it to break through the walls of the ghetto and set ourselves free.” – Sara Aharoni

I set out to show you how one simple thought can lead to hours and hours of research. And that, I have done.

I needed to piece together the whys and wherefores in order to bring my fictional Weiss family to London, England. And that, I have done.

I didn’t realize that this post was going to end up being some sort of call to arms. If I have encouraged you to be proud of your heritage, to advocate for justice, to look to your non-Jewish friends for support, to fulfill your dreams and destiny; then, I am glad to say: that I have done! I suppose that’s what happens when you follow one little crumb.

That being said, the original point of this post was to show how all. that. research. led to this short excerpt. I hope you enjoy!


It was September 1794. Hannah Weiss, a young woman who had not yet reached her majority and had no real knowledge of the world beyond the four corners that united her neighborhood, believed herself to be in love with Yaacov Kupperman.

Left quite unrestrained by parents who were otherwise engaged in rebuilding their lives in a foreign land, Hannah and Yaacov’s childhood friendship blossomed. They shared the love of the written word and the love of adventure. Stolen moments were spent sharing tidbits of knowledge, whether acquired from the streets teeming with intriguing activity or from passages within a tattered book. Whispered promises and fanciful dreams became woven into their very existence. It seemed so natural a thing. They spoke of their future lives with the same assurance that their mothers would bake sweet challah for the Sabbath and their fathers would sleep through the rabbi’s sermon the following day. It was inevitable. It was bashert—it was meant to be.

On a cool, temperate evening, unencumbered by chaperones or naysayers alike, the besotted pair anticipated their wedding vows. Yaacov murmured his pledge to be Hannah’s knight in shining armor, such as the men from days of yore. He vowed to protect her, to provide for her. There would be no more talk of the Judengasse, of poverty, or fear. They were English now, and their lives would be the stuff of fairytales.

“You will speak with my papa?” Hannah whispered. “You will come by us for Shabbes?”

Yaacov gently tugged on a golden curl. “Do not speak in that foreign manner, my sweet one. Instead, you should say: Will you come to our house for the Sabbath? We are native Londoners, even if our parents were born in Frankfurt. Let us not speak as if we were still in the ghetto.”

“You would admonish me now?” she bristled. “After we—after just—”

“You are such a little girl! See how you blush!” Bringing her closer, Yaacov whispered, “Never fear, my dear heart. I will speak with your papa and should be pleased to share the Sabbath meal with your family. How else will I earn my mother-in-law’s favor?”

Hannah smiled at his teasing but persisted with her train of thought. “What of your papa? Oughtn’t you speak with him first? Perhaps now, you may become his partner!”

“Perhaps,” he chuckled. “My father certainly has high hopes for the family business. I will speak with him on the morrow after he has broken his fast. Rest assured, my love. We shall be wed before Chanukah.”

Later that evening, Hannah peeked out her window and gazed into the heavens. She sent up a prayer asking for forgiveness. She was not so ill-bred that her earlier actions did not cause her some shame. Perhaps they ought to have waited until after the words had been spoken—after they had stood under the wedding canopy and the rituals had been commemorated.

I shall be married soon enough, and all will be well!

Hannah murmured another grateful prayer, for her dreams would soon be fulfilled. By December, she would recite the blessings over the chanukkiah, the precious heirloom that had been in the family for generations. It would soon be passed on to the newest bride.

September went by in a flurry. October and November, although bathed in vibrant hues of red and gold, foreshadowed the bitterness that was yet to come. Hannah could not take pleasure in the riot of colors that fell upon the city, not when her eyes were clouded with remorse. Yaacov had not come for Shabbes that Friday evening. Indeed, he had not been seen for many months past.

Hannah considered asking for him at synagogue after services or when she encountered Mrs. Kupperman at the butcher, but the unspoken words stayed upon her lips. How would she respond if they questioned her? It was not becoming for a young, unmarried girl to ask after a young man, even if they had been friends and neighbors throughout their youth. People were certain to talk. To be sure, in this matter, there was no distinction between the ghetto of Frankfurt and the streets of London.


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With love,

Author's Interview

Author’s Interview with Sara Aharoni

Hello again! Today, we are in for a special treat. Renown Israeli author, Sara Aharoni joins us in this series of Authors’ Interviews. Sara has been a teacher, an educator and has worked as a school principal for 20 years. She also spent four years in Lima, Peru as an educational envoy of the Jewish Agency.

Sara Aharoni, author

Together with her husband, Meir Aharoni, Sara wrote, edited and published a series of books about Israel, including six in English. She has also published six children’s books. Her third novel, Mrs. Rothschild’s Love (the English title is The First Mrs. Rothschild), went instantly to the top of the Israeli bestseller list. Aharoni received the Steimatzky Prize for Best-Selling Book of the Year.

I have read this work and found it inspiring and thought-provoking. As you all know by now, I am fascinated with this time period. The Rothschilds, the Montefiores…what these family were able to accomplish under that level of persecution and oppression is mind boggling! Let’s find out more.

Host: Welcome Sara. You have done a remarkable job bringing this family to life for me. Kol hakavod! Please set the stage for this project. How did it all come about?

Guest: Thank you for inviting me, Mirta. I’m excited to be here. As an Israeli, born and living in Israel, I write my historical novels in Hebrew, and I am happy that my book, The First Mrs. Rothschild, has been translated into English and distributed by Amazon Crossing. It presents the life story of the Rothschild family in the Judengasse (the Alley of the Jews) in Frankfurt, who rose from extreme poverty to a global economic empire. The story takes place between the years of 1770 to 1849; from the marriage of Gutle to Meir Amschel Rothschild, until her death at the age of 96. The idea of writing this book was born from my visit to the agricultural settlements in Israel under the patronage of Baron Edmond de Rothschild, the well-known philanthropist. The visit was intense and aroused in me the desire to get to know him more deeply. I started to read books about Rothschild, and the more I read, the more I felt like writing a novel about him. I continued reading and reached the roots of the Baron, his grandfather, Meir Amschel (or Mayer Anshel, it’s the same) Rothschild, who lived in the Jewish ghetto in Frankfurt and raised the family from a state of dire poverty to a great wealth. This inspired me to write the novel about the founder of the Rothschild family.

Host: I certainly can understand being intrigued by the family’s founder; however, your book is written through the eyes of his wife, Gutle. Correct?

Guest: Right. I wanted to place the wife in the center of the scene. During my research I discovered that historians wrote a lot about the founder and his five children, and very little about his wife, Gutle, and her daughters. I regretted that. I was curious to know Gutle’s character.  So, I continued to read and find details about Gutle. Every piece of information I found was like a diamond. I collected all the details into a chart which turned into a puzzle I could piece together to discover her character. I found a very special woman: a modest, intelligent woman with a big heart, giving, helping each person. Her kitchen was a shelter. Anyone who wanted to pour out his heart to someone, would come to her kitchen. She knew her place as a woman (it was the 18th century), knew when to keep quiet and when to say what she thinks. She had a wise heart and great understanding. For example, she used to send shirts from Judengasse to her son Nathan in London. She knew that Nathan was a very rich man and could buy expensive shirts in London, so why did she send him shirts? Because she was worried her son was changed. He made contact with the high society and showed signs of vanity. She didn’t want him to forget where he came from. She knew that when a shirt from Judengasse would touch his skin–he would never forget where he came from.

Her modesty is self-evident. She never left the ghetto even though her children were already living in palaces and offered her rooms there. Gutle loved Meir Amshel and supported him all along. Despite his strength and energy, he needed his wife behind him. This woman captivated me, and I decided to give her a stage and pass on the family story through her.

Host: That was what had me glued to the page — Gutle’s story and her views on life, family and their place in the world. Why do you think Jewish Historical Fiction is an important, stand-alone, genre?

Guest: As an ancient people thousands of years old that spread across the globe, we have become rich in a wide range of Jewish cultures – each diaspora and its Jewish culture: culture, language and creativity. Our Jewish history is rich in events, figures, upheavals, ups and downs – great achievements in the face of terrible tragedies. All of these are immortalized in the books of history, the first of which is of course the Bible that unfolds the history of our people and is a central focus of Jewish culture for generations. I see the historical novel as an important means of combining literary fiction with historical reality, which gives the reader an opportunity to become acquainted with the world of the Jews in a fascinating way. I sometimes hear history teachers say that the historical novel can bring students closer to history lessons. I consider it important that future generations become acquainted with Jewish history, and the historical novel is an integral part of the means of realizing this.

Host: And how would you differentiate a history book from a historical novel?

Guest: The fiction in the historical novel is adapted to the historical facts and fills in the gaps, the same gaps that the history books skip over, such as the moves of the mind, descriptions of emotions and thoughts, and the influence of these on the chain of events. For example, regarding my book, The First Mrs. Rothschild, historical sources indicate that Gutle, the wife of the founder, Meir Amshel Rothschild, gave birth to 19 children, of whom 10 survived. I must not change this basic fact. But I think as a woman, as a mother, as a writer – a mother who loses one baby feels she has lost her world. Gutle lost 9 children. The historian does not dwell on the mental state of the grieving mother. His role is to describe the sequence of events. In the historical novel I was given the opportunity to fill in the blanks and give a broad canvas to the loss. The historical novel develops in the reader an interest in the character and period. In The First Mrs. Rothschild, the historical background is woven throughout the novel: the Napoleonic Wars, the French Revolution, the Industrial Revolution, the Damascus plot. Quite a few readers turn after reading the historical novel to other sources to enrich their knowledge of the period.

Host: As an Israeli author, do you have any thoughts on what the Diaspora considers a Jewish book? By that I mean, Israel and the Jewish community at large, is a diverse and unique culture, yet—here in America—we tend to focus on two narratives: The Holocaust and Fiddler on the Roof-type themes. There is obviously so much more to talk (and read) about.

Guest: Within the Jewish story, Jewish culture is intertwined with the holidays and customs, such as Shabbat. It is not there as a title and is not dominant in the story, but is a natural part of the characters’ lifestyle and general atmosphere. It is a culture that accompanies us throughout history, it has created for us the special identity as a people, and it must be given expression. It is part of the respect for the faith and the Jewish people.

Host: Sara, tell us about your first book, Saltanat’s Love. I understand this was the impetus for your career as a historical fiction novelist.

Guest: My first novel was based on my mother’s life as a Jewish girl growing up in Iran. Through the story the reader is introduced to the lives and culture of Iranian Jews in the 30’s and 40’s of the 20th century. How did it happen? On a trip together with my mother in Europe, she told me the story of her life. I’ve already heard her story with my brothers when we were little, but in those days, it was as if my mother took a strainer with small holes and only part of reality was heard. That is, we were spared all sensitive parts. During that trip in Europe, I was already an adult and myself a mother of children. Mother allowed herself to throw away the sieve and tell me the whole story. I heard the story and remembered that when we were little, Mother used to say: ” All I went through would make a book.” And now, when I hear the whole story, including the sensitive parts, I understand that this is a story to be written. I decided to write the book as a novel. The great and unexpected success of my debut novel made me decide to continue writing novels, or rather, historical novels.

Host: Have you visited any of the locations you have written about?

Guest: After reading so much books, letters and documents, I felt a need to physically get to the places where the Rothschilds lived. The first place I wanted to reach was Judengasse. But I knew I had no chance, because at the end of the World War II, the United States bombed Frankfurt, and the street was completely destroyed. But where the Rothschilds’ house once stood, they set up a museum – the Judengasse Museum. The visit to the museum left a strong impression on me. I saw the miniature structure of the street with the wooden houses, the reconstruction of a section of the street, including a ritual bath, the attire and the accessories they used, and the large pictures hanging on the walls. I will describe to you one of the pictures called “The Jewish Sow.” It was a relief placed above the gate of the city of Frankfurt and was in front of the passers-by every day. The picture shows a large sow on which a rabbi is riding. The rebbe raises the tail of the sow so that another rabbi will eat from its feces. There are Jewish children sucking from her nipples, and on the side, the devil stands and watches with pleasure.

I saw this picture in many books I read. But in the museum, I stood frozen in front of the big picture for a long time that I cannot measure, but long enough for me, to express the novel in this picture. On the journey to the Rothschilds I also reached London and Paris.

Host: I can well imagine being paralyzed standing in front of such an atrocity. The cruelty of being forced to live under such conditions, of being constantly reminded of what the outside world thought of you and your people…it is a testament to their faith and perseverance that the Rothschilds, and others of that generation, were able to overcome such prejudice and persecution. You describe these daily events so well. I was transported. I love this quote: “Dignity is a powerful thing. We shall use it to break through the walls of the ghetto and set ourselves free.” Do you have a favorite scene from the book?

Guest: My favorite scene is Gutle’s visit with her mother in the Forbidden Public Park. Every leaf, butterfly, branch and shrub is a world in its entirety for someone who has dreamed of coming to the garden all her life but the garden was on the list of prohibitions imposed on her and the Jews of Frankfurt. This scene makes it possible to raise the difficult reflections regarding the injustice done to the Jews.  Here is excerpt:

“Look, Gutaleh, how pretty this garden is.”

Mama tightened her grip. Her eyes sparkled. I looked at the glory of the garden. A carpet of beauty spread before me, as if to say, “Here I am! And where have you been this whole time?” My eyes took in the sights. All the wonders of the world could not compare to the splendor of this place. I felt I had to hurry up and drink in this luscious view.

Suddenly, I felt sad. The thought of all we had been deprived of until now filled me, pushing away the brilliance before me, threatening to take hold of my mind. Our people’s cruel fate was knocking on the door to my heart. I watched my mother, her burning eyes. She was living the moment, leaving the past behind. I must be like her, enjoy these moments to capacity. I mustn’t wallow in darkness. I must regain my senses. At that moment, I recognized that other smell. It was the aroma of freedom. Freedom smells intoxicating, superior to all other scents. I would always remember my first whiff of freedom.

Host: That was a powerful scene! Tell us, are you working on something now?

Guest: I am in an advanced stage of writing the next historical novel, about a Jewish historical figure. I hope it will also be translated into English.

Host: Thank you for joining us today, Sara. It was such a treat! Is there anything else you’d like to add?

Guest: Thank you very much for interviewing me. I’ve enjoyed sharing this time with you. If you want more information about me or my book, here is the link to Amazon:

and the link to the Heroine’s Journey: https://theheroinejourney2016.wordpress.com/2020/10/17/the-heroines-journey-of-sara-aharoni/

miksam@miksam.co.il

facebook: sara aharoni