New Post

Keeping it Kosher (lite)

As some of you may know, I set out to write Celestial Persuasion when I came across this painting of Mariquita Sanchez de Thompson. This scene depicts the moment when the Argentine national anthem was sung for the very first time.

The image of ladies and gentlemen in Regency attire was far from what I had expected to find in colonial Argentina. To tell the truth, I would have expected full crinoline skirts and impressive peinetas, such as we find in the satirical work of Cesar Hipolito Bacle.

By delving into the aftermath of the May Revolution of 1810, I discovered that the aristocracy of Buenos Aires was more inclined to follow the fashion trends of Paris or even London. The influence coming from across the pond was not to be denied!

I began connecting the dots and weaved a tale that included English noblemen and naval officers, along with the liberator of Spanish America: Jose de San Martin. Establishing a friendship in between Jane Austen’s Captain Wentworth and my own fictional character, Jonathan Isaacs, was the next step in the process.

Next, I began looking to incorporate that bit of yiddishkeit that is so crucial to my work. For example, I wanted to ensure that the Jewish holidays mentioned throughout the novel occurred in accordance to the Hebrew calendar. In the prologue, Abigail Isaacs writes to her brother, describing their father’s passing—just prior to his favorite holiday: Pesach (Passover).

I must assume that you have not received my news from home, and knowing how you are impatient with all but the essentials, allow me to put it to you in words so familiar they could be your own: our dear papa died on March 26th on the eve of Rosh Chodesh—sadly a little more than a week before his favorite holiday. He had been looking forward to leading the Passover seder this year; but then again, he had been unwell for several months and refused to change his habits.

Rosh Chodesh is mentioned several times throughout the novel, as are other holidays, such as the High Holy Days and Chanukah. I suppose I could have picked any date when these events “usually” occur; but it was important to be accurate, particularly when it came to a certain battle that took place on February 3, 1813. Hopefully, the following snippet helps to explain…

“San Martín plans to engage with a Spanish royalist force in one month’s time,” he muttered beneath his breath. “When do you expect to travel to witness your monumental natural event?”

She grimaced at the small sound emitting from her lips. “I must be in residence at the beginning of the month, though I do not believe it is any of your concern.” Rethinking her statement, Abigail’s voice grew with enthusiasm. “Mr. Gabay!” she exclaimed, “has he chosen the exact date?”

“You cannot imagine that I would share that information, Miss Isaacs.”

Vehemently she shook her head. “I care not for your confidences, at least for the reasons you may suspect. I only ask that you heed me, sir. I must be in Rosario for Rosh Chodesh. There will be a new moon on the first of February. The night’s sky will be sufficiently darkened to allow for maximum visibility of galactic activity. Do you understand my meaning?”

The Battle of San Lorenzo was a turning point for the rebels fighting the Spanish crown. If I wanted to showcase the event in my story—and have it coincide with Rosh Chodesh—it had to be… kosher. I knew I had to get it right! First, I researched the status of the moon phase in February 1813. I found that information here and here. Then, I checked to see if the Gregorian calendar aligned with the Hebrew calendar. I found that here and here. It worked out!

Throughout the story, we follow Abigail as she celebrates Shabbat and Havdalah. Granted, her family is no longer as pious as when her mother lived. Nevertheless, when Abigail is called to London to meet Lord Fife, she ensures to take her ritual items. And when she and Mrs. Frankel find themselves aboard a frigate sailing across the Atlantic, I made sure to incorporate an every day nautical item into a pivotal scene.

Wrapping up warmly in her darkest cape, Abigail reached for the lantern perched above the dresser. It was the same lantern she and Mrs. Frankel had been instructed to use for the Sabbath, for it came equipped with a sliding shutter to darken the room without extinguishing the candle. Abigail smiled, recalling the cabin boy’s shock at their request to kindle the Shabbos candles whilst aboard the ship. He had gone on for nearly a quarter of an hour outlining the hazards and noting the fire stations that equipped every passageway in the event of a crisis...

Abigail had been correct in her estimation. The men were gallivanting en masse at the forecastle and she could remain in peace to the aft. She allowed herself to be guided by the lantern’s light but closed the shutter when she reached her chosen destination and waited for her eyes to grow accustomed to the darkness. In truth, it was a perfect night for stargazing as they had just entered into the new moon phase. Without the moonlight, the galaxy’s core was visible in all its splendor, and Abigail stood immobile in awe of the spectacle before her.

How many minutes had transpired, she could not say for certain. She felt tears trickle down her cheeks, but she could not be bothered to wipe them away. How she longed to share the moment with Jonathan! Not to scribble down the longitude and latitude of their location. Not to calculate or measure, but simply to stand and observe the immensity of it all and to understand her place in the universe. Her tears had dried where they had fallen, but with the wind picking up, she could once again feel bits of salt water on her cheeks as the waves began to swell. It was not until she heard the men shouting and witnessed the crew running hither and thither that Abigail was obliged to return to her room.

She retraced her footsteps to find the ladder once more. The descent, she hoped, would prove to be easier; but as she stepped down off the last rung, the wind and waves combined and exerted such a force on the ship that Abigail lost her balance. With flailing hands she attempted to seize hold of something that would steady her feet; but the action cost her dearly, for the lantern slipped from her grasp and the candle was extinguished. She crept along the passageway, holding on to the walls, helpless in the dark, until the ship pitched suddenly and she felt herself tumble forward.

As my outline began unfolding, I found that I quite liked the town of Exeter for the Isaacs family. The obvious problem was that I knew next to nothing about Devonshire as it related to Jews. Imagine my delight when I came across the wealth of information located here and here. Actually, there are pages and pages of data relating to the Jewish history in this particular county. I not only discovered the location of Exeter’s synagogue, but its officiant as well. Naturally, I had to showcase Abigail’s relationship with her rabbi and her place of worship.

In addition, this map created by Braun & Hogenberg in 1617 helped me visualize the Isaacs hometown.

Approaching the mile mark, she passed St. Thomas’s chapel and the many farms that dotted Byrd’s Lane. Abigail was flooded with bittersweet memories and recalled walking toward the synagogue, her small hand held by her mother, while Jonathan raced ahead and her father followed behind at a leisurely pace. They would meet friends along the way, and the adults would catch up on the weekly gossip before entering the house of worship. Ezekiel and Kitty Jacobs, her parents’ closest friends, had been amongst the founders of the synagogue, for they applied to St. Mary Arches Church to lease the ground for its erection. Whenever Jonathan would complain of the rabbi’s lengthy sermons, Mr. Jacobs would tell the story of the synagogue’s consecration.

Lastly, I wanted my story to lay the foundation for the establishment of the Jewish Colonization Association. Headed by financier and renown philanthropist, Baron Maurice von Hirsch and his wife, Baroness Clara, this organization was created decades after Argentina’s declared independence. However, had it not been for such forward thinking individuals such Wilhelm Loewenthal, a Romanian doctor conducting research in the area, Rabbi Zadoc Kahn, Chief Rabbi of Paris, or my fictional Lieutenant Gabay with his pipe dreams, who is to say if the seeds of change would have come to fruition.

The Battle of San Lorenzo took place in 1813 in the province of Santa Fe. A little over 70 years later, a group of Jews escaping pogroms and persecution in Imperial Russia settled in a town about three hours away from that battlefield. They named their new home Kiryat Moshe, or Town of Moses, to honor Maurice Hirsch. The land agent, who may or may not have been of French origin, registered the name to his own liking and the town became known as Moisés Ville. The inhabitants, these so-called Jewish gauchos, were the first to create a Jewish agricultural colony in Argentina. Of course, my characters had no notion of what was to come, but they had hope.

Captain Wentworth, my last piece of news may be the greatest surprise of all. Mr. Gabay and I shall not reside in Buenos Aires for long. When the fight for independence has been won, my Mr. Gabay—who never intended to make the military his career—will resign his commission. We shall repair to my father’s property in Rosario, where I will be at liberty to continue my research and Mr. Gabay will begin his work in helping the Jewish communities of the Russian Empire. Santa Fe is a wide and open land. Refugees of all faiths and backgrounds may surely make this place their new homeland and dwell in peace without persecution. Praise God, everything does indeed happen for a reason.

Thanks for stopping by. I hope you enjoyed the post!

Until next time,

New Post

The Association of Jewish Libraries

The Association of Jewish Libraries (AJL) has launched a new podcast entitled, “Nice Jewish Books.” A leading authority on Judaica librarianship, this AJL series focuses on adult Jewish fiction.

Host, Sheryl Stahl is the director of the Frances-Henry Library on the Jack H. Skirball campus  of the Hebrew Union College-Jewish Institute of Religion. She is an avid reader herself; and after serving the AJL in various capacities, she has now taken on the role of Podcaster. Stahl’s background comes into play as she interacts with authors and provides a platform to discuss their work. The premise for the show is to talk about Jewish literature, although her preference is not to include books based on war, political thrillers or Holocaust-related works. That, of course, was what drew my attention! Here— at long last— was a place to discuss my passion for Jewish historical fiction.

Do me a favor, won’t you?

Make yourself a nice cup of tea and tune in!

I am honored and delighted to announce that I was a guest author on the program. Please follow the link and listen in. Leave a comment on the website for Sheryl and the AJL community of readers and bibliophiles. I’d be so proud to know you stopped by. Happy reading (and listening)!

New Post

Jane Austen & Jewish Themes Part V~ Delving into Diversity

I’ve been addressing Jane Austen’s work and the correlating themes found in Judaic text. The reason for this exercise stems from my desire to find historical fiction or historical romance novels that contain a modicum of Judaica. Of course, Austen’s work isn’t considered historical fiction. Her stories were contemporary; her readers would have recognized their world amongst the backdrop of her settings. But that’s not my point. Sorry!

While I have scoured endless book titles and conducted mind numbing Internet searches in the hopes of finding some hidden gem, I have very little to show for my effort. That was the impetus to take pen in hand, so to speak, and to write my own fanfiction. And why not? Jane Austen’s work continues to inspire and entertain a diverse, world-wide audience. We are presented with modern interpretations of her classics novels, time-travel storylines, and narratives that focus on any number of ethnicities and cultures. Evidently, our thirst for new and tantalizing Austenesque plots and themes is not so easily quenched! And for this particular reader, it seemed only logical that the Jewish community be represented in Austen’s fandom.

That being said, I am not an advocate of racelifting. By that I mean, I have no need to replace a character’s Anglican faith for Judaism. I am satisfied with the introduction of Jewish protagonists and themes that are a true reflection of our community as a whole. For other authors and readers, I understand that it is imperative to see a Jewish character cast in the original role. And that’s okay. That’s the magic of fanfiction. In The Meyersons of Meryton, I introduce a rabbi and his family to Austen’s fictional town in Hertfordshire. In Celestial Persuasion, I create a friendship in-between Captain Wentworth and the Isaacs siblings that stretches far beyond England’s shores. With Destiny by Design~ Leah’s Journey, I showcase a story that is loosely based on my ancestors’ experiences. Although this novel is not a J.A.F.F. (Jane Austen Fan Fiction), there is a definite nod to the author and her work. These novels, along with my first title, Becoming Malka, are my small contribution to the lesser known genres of Jewish Historical Fiction and Jewish Historical Romance.

As we are now officially in the “holiday season,” there is an opportunity to address diversity and Jewish characters in other forms of entertainment. For example, Hallmark has attempted to incorporate Jewish storylines and characters in their holiday lineup. These shows are a bit cringe-worthy, I’ll admit it, but at least they’re trying. I’d encourage them to try a little harder. While I do want to see Jewish representation in these soapy movies, I do not want to see Hanukkah downgraded to a Christmas-wanna-be. The whole point of the Maccabean revolt was not to assimilate to the dominating culture. It is a fine line, I understand. Hallmark can do better.

Over at Disney, we were introduced to a Jewish heroine for one episode of Elena of Avalor. The character is supposed to be a Sephardic princess, but she uses Yiddish terminology and speaks of Ashkenazi traditions. And, I’m sorry to say, the princess is not very attractive. Like the folks over at Hallmark, the imagineers could have put forth more effort. This piece needed a little more research into the character’s cultural background and a lot more generosity in developing her aesthetic. Perhaps they could have taken a page from the variety of diverse characters showing up in other animation, comics, and television series and given the Jewish community a proper heroine.

And speaking of television, did you hear the collective “oy!” when fans of Downton Abbey found out that Lady Crawley’s father was Jewish? The writers did not stop there. The series also introduced a Jewish family of the upper echelons of society. Apparently, Lord Sinderby’s family had fled the pogroms and persecution of Imperial Russia some sixty years ago. Sparks fly when his son, Ephraim (he goes by his second name, Atticus) meets and falls in love with Lady Rose…who is not Jewish. This all-too-familiar predicament, as well as other issues of anti-Semitism in Edwardian England, are brought to the forefront. While I was not entirely pleased with the outcome, I was glad that at least our community’s presence was addressed.

With the success of Sanditon and Bridgerton—and the plethora of costume dramas in the world today— it seems clear we are in need of the escapism that these shows provide. We fantasize and yearn for the days of polite society and social graces. How much more pleasing is it to read a novel or watch a show that allows one to identify with a character— someone who stands to represent one’s community, one’s values, and heritage in a positive light? It is time to come out from the shadows of the likes of Heyer, Dickens, and Shakespeare. Their Jewish characters were cliché and demeaning. The Jewish community has played a proud and active role in nearly every culture around the world. We are connected to that history by a chain that spans over five thousand years.

Jane Austen certainly instilled her biblical knowledge and values into her novels. She commented on societal issues with her wit and keen power of observation. Her readers, no doubt, recognized and identified with these truths. If one of my books brings a sense of connection, a sense of community, a sense of pride to a Jewish reader, I would have fulfilled my goal. My books are a link in that ancient chain. They are another opportunity to say: Hineini —I am here. We are here. And we’re not going anywhere.

Chag Chanukah Sameach!

New Post

Jane Austen & Jewish Themes Part IV

Throughout this series, I have been looking at Jewish themes that can be found in Jane Austen’s work. That’s not to say that the renown author intentionally incorporated Judaic messages in her writing; however, as I’ve pointed out in my previous posts, Austen was raised in an observant environment and would have been quite at home quoting from the Good Book or referencing various biblical storylines. I am enjoying finding the similarities. I hope you are too!

SELICHAH, MECHILAH, and KAPPARAH ~ The different forms of Forgiveness. 

I previously touched upon the subject of repentance, but the matter requires further discussion. The theme of granting forgiveness can be found in nearly every book that Jane Austen penned. Just think for a moment. Elizabeth forgives Darcy, Elinor forgives Edward, Fanny forgives Edmund, and everyone is only too willing to forgive Emma!

Illustration by C.E. Brock

In Persuasion, we are introduced to a couple long separated by distance and pride.  Captain Frederick Wentworth has spent years holding a grudge, nursing his bruised ego and feeling the victim. For those who don’t know the story: Miss Anne Elliot had entered into an understanding with the gentleman, but —for better or for worse—was persuaded to end the budding relationship. Years pass before the two are brought back together again. Captain Wentworth tells his new friends that he finds Miss Anne, “altered beyond his knowledge.” Ruthless, heartless man! The gentleman is still licking his wounds…

He had not forgiven Anne Elliot. She had used him ill, deserted and disappointed him; and worse, she had shewn a feebleness of character in doing so, which his own decided, confident temper could not endure.”

It has been eight years and he still didn’t understand her! Had he used the time to reflect and to try to comprehend Anne’s actions, it would have been emotionally and mentally healthier for all concerned. Of course, that would have changed the arc of the story and no one understood that better than Austen.

In Northanger Abbey, we are introduced to a young lady just coming out into society. She has very little to say in her favor; and in fact, our heroine spends her days daydreaming and imagining herself the helpless victim of some gothic novel.

No one who had ever seen Catherine Morland in her infancy would have supposed her born to be a heroine.”

Catherine is invited to stay with family friends in Bath, and finds herself, quite suddenly, in over her head. With no real experience of socializing with others who have more—shall we say—life experiences, her naivete and imagination run wild. She wrongly suspects General Tilney (the father of the young man she comes to admire) of a crime he did not commit. In the end, she is somewhat exonerated, but the acknowledgment doesn’t come without some distress.

Your imagination may be overactive, but your instinct was true. Our mother did suffer grievously and at the hands of our father…No vampires, no blood. But worse crimes, crimes of the heart.”

Like any biblical story that focuses on Teshuva, Catherine experiences growth through pain. She recognizes her failings, repents, and determines to improve her behavior. The arc of her story is in keeping with Austen’s philosophy. The mean-spirted and conniving Thorpe siblings, however, do not see the error of their ways and they suffer for it. Austen uses their storyline to illustrate her point once again. Those who merit a HEA (happily ever after) will be rewarded in the end.

My characters shall have, after a little trouble, all that they desire.”

I can’t help but think of the period leading up to the holiest of days in the Jewish calendar: Yom Kippur, the Day of Atonement. We begin by commemorating the holiday of Selichot and use the time before “the gates begin to close” to think of those we have wronged.

Asking for forgiveness, for selichah, is the first step we must take. This is where we realize our error, we apologize to the injured party, and we show remorse.

When our poor behavior has caused much pain, we speak of mechilah. We ask that our transgressions be wiped away. We want things to be as they were; or better yet, to go on stronger than before. This can prove to be difficult for the injured party; for though many of us can forgive, it is very difficult to completely forget.

If the wrongdoing is of biblical proportions, a person may feel they are not worthy of forgiveness. They believe that there can’t be a positive outcome, no matter the excuse, no matter how many promises are made. Most people are not capable of forgiving an act of this magnitude. In fact, the forgiveness we seek, the kapparah, is beyond human capacity. The atonement, in fact, comes from a higher source, such as on Yom Kippur. This is when G-d looks into your heart, sees your repentance and says, “Be comforted.”

Illustration by C.E. Brock

In Persuasion, Jane Austen presents us with a scenario that is just as relevant today as it was three hundred years ago. Secure in his righteousness, Captain Wentworth needlessly wallows in Anne’s perceived betrayal. Obstinately holding on to his resentment only succeeds in polluting his view of the truth! Their meeting again gives them both a second chance to speak their heart. It’s a story full of angst and it is sometimes intolerable to witness their pain. When the captain overhears Anne speaking of love and loss to another gentleman, he finally comes clean. Captain Wentworth writes to Anne and bares his soul—as he should have done years ago.

You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant.”

In the ensuing paragraphs, Austen satisfies our need for the couple’s reconciliation. Anne and Frederick speak honestly to one another, exposing their vulnerabilities and the various misunderstandings that led to such despair. They forgive one another (selichah), their love is stronger for it (mechilah); and because they merit a HEA, they are comforted (kapparah). Quintessential Austen. Brilliant. Just brilliant!

In my latest novel, Celestial Persuasion, it is clear that Miss Abigail Isaacs shares similar characteristics with her newfound friend, Captain Wentworth. Fear and resentment have colored her view, not only of her ever-changing circumstances, but of a certain gentleman. As Mr. Bennet— of Pride and Prejudice fame— urges: read on, friend, read on…


A soft scratch upon the door shook her out of her musings, miserable and disheartening as they were. Abigail bade the interloper to enter, as she wiped away her tears.

“I have brought you some broth, my dear,” said Mrs. Frankel. “I thought you might be hungry, as we had not had to opportunity to dine. Do you think you might take a little?”

“I am much too shaken to eat, though I thank you for your concern. Will you not have it in my stead?”

“I have had some sent to my room, Avileh. I will leave you to rest then—oh, but I nearly forgot!” Mrs. Frankel exclaimed. “I have a letter for you, my dear. It is from Mr. Gabay.”

“Mr. Gabay! Whatever could he want? He barely spoke two words together in my presence. I fear his affections have been won over by Miss Kendall, Frankie dearest. They must have quarreled, for he was scowling all evening. Did you not notice?”

“No, indeed. However did you come to such a conclusion? Truly, my dear, you can see clear into the heavens but you cannot see what stands right before you.”

“Whatever do you mean?”

“Never you mind. Have a bit of your soup and read your letter,” she insisted, placing the envelope upon the bed. “Good-night, my dear.”

Abigail watched as Mrs. Frankel closed the door behind her. She eyed the broth with little interest and settled her gaze upon the letter instead. What could he have to say? Another jest? Another commentary on the state of the new union? Upon closer inspection, she noted that he had hastily folded the missive, it had not been sealed and it had not been addressed. Though she had had her fill of surprises to last a lifetime, her curiosity would not be neglected. She would read his letter and be done with it. For what could he possibly have to say that would lighten her heart?


What do you think? Will Mr. Gabay’s words cause more harm than good? Will Abigail be able to forgive past transgressions, even if that means forgiving herself? I invite you to read the story and come to your own conclusions. Until next time, thank you for stopping by!

New Post

Jane Austen & Jewish Themes~ Part II

It is a truth universally acknowledged that our sages and their faithful students have been reinterpreting biblical texts in the hopes to discover new insights, to make them more accessible, or even to reveal different conclusions. As I mentioned in the original post of this series, it is in keeping with our traditions to recreate these sacred passages, to personalize the story with our own life experiences or our imaginations. In Judaism, these reworkings are known as midrash.

Jane Austen was the daughter of an Anglican minister. Her upbringing in the church would have given her sufficient exposure to Judaic theology to help me make my point: Austen used her knowledge of sacred text and reimagined the lessons into the workings of her famous novels. Today we’re going to examine Emma for Judaic themes.

TESHUVA ~ Repentance

In most cases, it is the author’s duty—and the reader’s expectation—to allow a story to unfold in such a manner that the protagonist evolves throughout the tribulations of the novel. The transformative journey is, after all, what the audience craves. Setting aside the specifics, it is within this transformation that the reader intimately identifies with the struggle, the lesson, and the resolution.

But it hasn’t always been this way. Interestingly enough, in many ancient cultures, such as within Greek society, it was not an accepted belief that one could change one’s behavior. Rather, it was thought that a person behaved just as his or her destiny foretold. Great Britain’s Rabbi Sacks (baruch dayan ha’emet) spoke of this message in a sermon fittingly prepared for Yom Kippur, the Day of Atonement. He even mentioned Jane Austen’s Emma.

A well-to-do, “handsome” young lady, it could be said that Emma Woodhouse has been spoiled the whole of her life. In addition to that, she is a bit of a snob.

She possess the power of having rather too much her own way, and a disposition to think a little too well of herself.

With little else to do, she goes about the county doing—what she believes to be—good works. In fact, Austen’s heroine is a yenta. She imagines that her matchmaking skills will bring about much happiness and shalom bayit to every hearth and home in Highbury. But Emma’s attempts at pairing her acquaintances are not as successful as she would have hoped. This is not surprising in the least! How can a young lady understand the workings of the heart in others, when she doesn’t understand her own? It is through personal struggles that Emma comes to understand her errors. When she is faced with her own heartache, Emma determines to change her ways.

Every year, as we commemorate the High Holy Days, we repeat the words of the Unetaneh Tokef prayer and consider our missteps, our mistakes, and our failures. But then we hear: “Teshuvah (Repentance), Tefillah (Prayer), and Tzedakah (Charity) avert the evil decree.” During the ten days in between Rosh Hashanah and Yom Kippur, we are meant to examine our lives and to reflect on bettering ourselves. In Rabbi Sacks’ sermon, he postulates that Judaism was probably the first religion to ponder Free Will for this very reason. We can decide to do better.

Jane Austen presents us a storyline that highlights a young woman’s emotional growth. Three thousand years after the sacred text of the High Holy Days appear in our liturgy, Austen allows her protagonist to confess her sins, to show remorse, and to show a desire to improve herself.

Emma grows before our very eyes when she decides to learn from her mistakes. She becomes more charitable towards the other members of Highbury’s diverse society. She becomes more charitable towards herself when she opens her eyes, and her heart, to Mr. Knightly.


In my latest novel, Celestial Persuasion, I introduce Miss Abigail Isaacs, a young lady whom most believe to be past her last prayers. While she has had an offer of marriage, Abigail’s dreams have been shattered on more than one occasion. Her friends encourage her to marry, for security at the very least. This she cannot accept. Rather than opening her heart to the possibility of love, Abigail retrenches and strives to build a life of seclusion, safe within the confines of an astronomer’s observatory.

I have begun to believe that I am not meant for love.”

According to those familiar with her upbringing, Abigail’s education and access to the world of academia has had secondary effects. She is quick to judge and often times thought to be haughty. Her snobbish ways are not unlike Emma’s—though she is not a woman of means—and her comments are usually kindly meant. She is bookish and awkward in the company of strangers. In truth, she is an innocent; and more often than not, Abigail misjudges perilous situations and societal obligations. It is when she is entrusted into the care of Lieutenant Raphael Gabay that Abigail meets her greatest challenge. The gentleman has little patience with her improper pride.

Might I suggest you set down your astronomer’s paraphernalia to examine what is before you, here on earth, and not in the night’s sky? You have excused me of shielding my truths with incessant jesting, but it is you, madam, who hides behind instruments and tomes.

Will the young lady repent and change her ways? Can she forgive, and forget, and give love another chance? Join Abigail on her journey to the Viceroyalty of Rio de la Plata and find out for yourself. But stay tuned! Next time, I’ll discuss Sense and Sensibility.

New Post

Blog Tour ~ Day Six: Double Duty!

We’ve come to the end of the tour today; but, never fear!

I’m leaving you with not one, but TWO entries.

Make yourself a nice cup of tea and settle down for a visit with the following bloggers:

Renown author and blogger, Regina Jeffers is my host at:

Every Woman Dreams

Over at Bonnie Reads and Writes, reviewer for Historical Novels Review Magazine, Netgalley, and BookSirens, Bonnie DeMoss will share her thoughts on my book, Celestial Persuasion.

I hope you follow the links and take a peek at both posts.

Thank you for coming along for the ride and thank you to all the wonderful bloggers who made the tour possible. I couldn’t have done it without all of you!

New Post

Character Interview with Mrs. Meyerson~ a look into a Jewish Austen Fan Fiction novel

If you have been following the series of author interviews on this blog, you might have noticed a particular question that I often pose. Are you a panster or a plotter? I am most definitely a plotter, needing an outline and a spreadsheet with dates, names and personality traits. That being said, there comes a point, while one is furiously typing away, that the characters take over. Their own unique voice will be heard, even if that means deleting the last chapter and rewriting the trajectory for the entire story. Mrs. Meyerson is one such character in The Meyersons of Meryton. But rather than telling you about the rebbetzin, allow me to introduce you to the lady, as I conduct a brief interview with Hertfordshire’s newest arrival.

Host: Greetings, Mrs. Meyerson and welcome to my blog.

Guest: Thank you, my dear. Pray forgive my ignorance. I am not at all familiar with your modern-day colloquialisms.

Host: I do apologize, madam. A blog is a—well, the arrangement is of little consequence. Suffice it to say, you are joining us today to discuss your arrival to Meryton. Tell me, what was your first impression of that small market town?

Guest: It certainly was vastly different from London, nonetheless, we were greeted graciously by the Bennet family of Longbourn on our first night. I was later pleasantly surprised when we met the congregants of the little synagogue, and understood straight away, the importance of my husband’s presence in that village.

Host: Vastly different from London, you say? What was it that you missed the most? The routs? The balls? The fashionable society?

Guest: Oh no, my dear! We lived in Cheapside—not quite the center of fashionable society. Do not misunderstand me. We had our share of good society. My cousin—rather distant, needless to say—is Moses Montefiore. He and his lovely new bride, Judith, are related to Nathan Rothschild by marriage. I have had the privilege of collaborating with Mrs. Montefiore in doing charitable works within the Jewish community. As to your question, I miss my family naturally. I miss my many acquaintances. And I miss the good work, the tzedakah, I was privileged to undertake. But God is good! Baruch Hashem! I have made new friends in Meryton and have been kept busy with… perhaps, it is best, my dear, if I do not delve into matters that might be too delicate in nature.

Host: Let’s change the subject then. Tell me of your new friends, the Bennets. As a mother of five yourself, what did you think of their daughters?

Guest: Oh! The Bennets! What a delightful family! They were a God-send to us. Jane is an angel, a sweet angel. What more can I say? Mary reminds me of a beautiful, but untended, flower. A bit of attention and some loving kindness is all she needs. Lydia, poor dear, was a whirling dervish when I met her—a Chanukah dreidel spinning out of control! Kitty, or Catherine as I prefer to call her, has been like a daughter to me. In some ways, she has also been my teacher. As the rebbetzin, I am called to lead the women of my husband’s congregation. I am supposed to be learned in the ways of our culture. I am expected to be a good example for the women of my faith. But Catherine reminded me of something very important, when I lost my way, and I am truly grateful.

Host: But you have only mentioned four, Mrs. Meyerson. I believe you forgot someone.

Guest: Heaven’s no! I left Elizabeth for last. Elizabeth is a true Eishet Chayil—a Woman of Valor. I realize that the proverb usually is sung to honor the mother, or the matriarch of the house; nonetheless, Elizabeth has earned this title in my eyes. She exudes the qualities which are attributed to such a woman: Feminine strength, intelligence, wit, and compassion. Even so, I witnessed how she struggled, how she fought to overcome her less than admirable traits, and this made her even more estimable in my eyes. Her worth is far beyond that of rubies, as I am certain Mr. Darcy would agree.

Host: I have no doubt! Now, in order to entice my audience further, what do you say to my sharing a snippet of the story?

Guest: I can only repeat that which someone else wiser, and more clever than I, once wrote: “I declare after all there is no enjoyment like reading!” By all means, my dear, lead on.

It was many hours later, in the darkest part of night, when a series of harried knocks were heard upon the door that caused the Bennet family to stir in alarm.

“What is it, Mr. Bennet? Who is at the door?” cried Mrs. Bennet pulling the bedclothes under her chin.

“I have not a clue, but I doubt we will learn the meaning of this rude interruption by hiding under the linens!” Mr. Bennet declared in a huff as he pulled on his dressing gown and stuffed his feet into his slippers. Carefully managing the staircase as he held a flickering chamberstick in one hand and wiped the sleep out of his eyes with the other, the master found himself at his front door just as Hill came from behind with a few coins from the household funds at the ready.

“For the runner, sir,” she said with a shaky curtsey.

“Thank you, Hill,” he replied gratefully, for he had not thought of compensating the errant messenger.

Mrs. Hill bobbed once more and stumbled back to her quarters as the master made quick work of opening the door. The messenger grinned an apology at the lateness of his arrival. Handing over the missive, he touched his cap and bounded off into the night. Mr. Bennet, now fully awake and justifiably curious, held his hand high and allowed the candle to illuminate a path to his library. Once there, he quietly shut the door, sat down in his familiar welcoming chair and was adjusting his spectacles when Mrs. Bennet came rushing in, followed by his two eldest daughters.

“How cozy you are, Mr. Bennet!” cried she. “With no consideration to my poor nerves, you have sequestered yourself without further thought of your wife or children who lay trembling in their beds. What has happened?” she beseeched. “Is it from Lydia?”

As he unfolded the object in question, Mr. Bennet peered over his spectacles and looked at his girls. “Jane? Lizzy? Were you all a tremble?”

“No indeed, sir, but we are anxious to know what news comes at this hour,” Elizabeth replied, taking hold of her sister’s hand.

The women gathered in front of Mr. Bennet as he silently read through the brief message. Satisfied that he was at liberty to share the contents, he cleared his throat and turned to his fretful wife.

“I trust you have ordered a good dinner for tomorrow evening, my dear, for I have just been informed we may expect an addition to our family party.”

“Pray, who would be so indelicate as to awaken us in the middle of the night for such a matter? Who, may I ask, wishes to trespass on our hospitality without so much as a by your leave?”

“‘Tis your brother who has written…”

“Edward? Whatever is he about?”

“If you would but calm yourself and allow me to read the letter, all will be explained.”

Jane gently guided her mother to a seat, as Elizabeth lit the candles on the mantelpiece to better illuminate their surroundings. Mr. Bennet hemmed and hawed before commencing:

Gracechurch Street, London

Dear brother, I know you will understand when I say things are well in hand here in town. I have met with Mr. Moses Montefiore and found him to be the best of men, brilliant as he is honorable! Upon his expert understanding of the current situation, Mr. Montefiore conveys the Meyersons to your good care. This letter is to be accepted as means of an introduction for the rabbi and his family into Meryton society. You can expect a party of three—husband, wife and child—to arrive by four o’clock on Wednesday. I have assured them of my sister’s fine hospitality, but tell Fanny not to fuss for their accommodations; they will only be staying the night. Montefiore has made arrangements for a living to be had in town. Fanny, I have no doubt, will be happy to know the Meyersons have need to be settled in that establishment by Friday afternoon! Now, with regards to…

Mr. Bennet stopped at this juncture, folding and placing the letter most purposefully in his pocket.

“I believe therein lies the crux of the matter. The rest involves business that I will need to attend in the coming weeks.”

“How extraordinary!” exclaimed Jane. “Whatever does my uncle mean by ‘things are well in hand in town’?”

“Are you at liberty to divulge anything further on these people and their business in Meryton?” Elizabeth asked, covering a yawn with the back of her hand. “Who is this Montefiore? Can he be a sensible man, ushering these people to us in this manner?”

Mrs. Bennet had more pressing matters to discuss and would not be silenced. “We are in the midst of planning our daughters’ weddings! My poor nerves cannot take much more agitation, Mr. Bennet. What does my brother mean by sending strangers to our home? And what, pray tell, is a rabbi?”

The hour being late and with no desire to entertain any further debate, Mr. Bennet stood and waved his hand, signaling towards the door. “Off with the lot of you. Tomorrow is another day and it will come soon enough. I am to bed and will brook no argument, Mrs. Bennet. Good night, Jane. Good night, Lizzy,” he said, with a kiss to each daughter’s brow.

Elizabeth blew out the candles and followed her father and sister as they wearily climbed towards their warm and welcoming beds. Mrs. Bennet, alone in the darkened room, sat down on Mr. Bennet’s favorite chair and indulged in a good cry, presumably relieving her poor nerves.

THE MEYERSONS OF MERYTON is FREE today on Kindle Unlimited!

Author's Interview

Author’s Interview with Carola Dunn

Joining us today is author Carola Dunn. And when I say author, I mean AUTHOR.

Carola Dunn, author

Ms. Dunn has penned 32 Regency novels, several collections of Regency novellas, 23 Daisy Dalrymple mysteries set in England in the 1920s, and 4 Cornish mysteries set in Cornwall around 1970. She was born in England but has lived in the United States for many years, presently in Oregon.

Though I am presented with a wide selection of titles, it can come of no surprise that I choose to focus on one of the author’s novels in particular: Miss Jacobson’s Journey. Set during the Napoleonic wars, Miss Miriam Jacobson finds herself in quite an imbroglio with Jakob Rothschild, Isaac Cohen and Felix, Viscount Roworth. There is adventure and intrigue, of course, along with romantic angst and personal growth. There is a significant nod towards 19th century bigotry which the author addresses with honesty, and even, humor.

Host
:     Thank you for participating in this series of interviews. Being that you are such a prolific author, I’m especially interested in learning how Miss Jacobson’s Journey came about?

Guest:   Thank you for inviting me, Mirta. Let me give you some back ground, starting with the Jewish connection:   My father was Jewish, born in a town then in Germany, now in Poland. I never learned about Judaism from him, as he was not religious and my parents split up when I was 6. My mother was an English Quaker and I went to a Quaker school. A friend there also had a German Jewish father and English Quaker mother. We both had relatives in Israel, and we spent the summer there between school and university.

Now on to the Regency background:    I started writing Regency romance in 1979. (The Regency was the period in England between 1811 and 1820-21 when George III was mad and his son reigned as Prince Regent; it spawned its own genre of romance.) In pursuit of historical accuracy, I did a lot of research, both specific to whatever book I was writing and general reading about the period. I wrote about 20 before Miss Jacobson’s Journey was conceived.

In the course of research, I came across a mention of the Rothschilds, upstart international bankers who smuggled gold across France to Lord Wellington’s forces fighting Napoleon’s army in Spain. This immediately struck me as an intriguing background for a story. The Rothschilds being Jewish suggested the possibility of creating Jewish protagonists.  Traditional Regency romances tend to be set among the British upper classes. But I already had middle-class people among my heroes and heroines, and black characters, and the heroine of The Frog Earl is half Indian. It didn’t seem like too much of a stretch. My editor gave her approval. Miriam Jacobson and Isaac Cohen were born.

Host: That’s why I feel your novel is an important addition to the genre! As you say, traditional Regencies tend to be set among the British upper classes; but at that point in time, it didn’t necessarily mean they were all Anglican. The contributions to society by the Anglo-Ashkenazi and Sephardic communities should not be discounted or ignored. So, I say to you: Well done, indeed! I understand Miss Jacobson’s Journey has two sequels. Does the Jewish theme continue throughout?

Guest: To a lesser extent, yes.  In the second, Lord Roworth’s Reward, Miriam and Jacob are no longer the main characters, having been happily married off to each other. Felix, Lord Roworth, who travelled with them through France, is the hero. The heir to an impoverished peer, he is now working for Nathan Rothschild. Part of the reason I gave him the job is that, while researching the Rothschilds, I came across some wonderful stories about Nathan, the brother who settled in London. I simply couldn’t resist using them, which became possible with Felix as his employee.

Miriam and Jacob do reappear in this book. Mr. Rothschild has sent Felix to Belgium to await the result of the impending battle between Wellington and Napoleon. There he meets a young soldier, Frank Ingram, and his sister Fanny. When Frank is seriously injured in the Battle of Waterloo, Felix helps them get to England and takes them to the Cohens, as Miriam is a healer and the Ingrams have nowhere else to go. In the third of the trilogy, Captain Ingram’s Inheritance, Miriam appears only off-stage.

Host: I will make sure to read them both! I have always been an Anglophile, even as a child, and am inexplicably drawn to the culture. As a native Briton, what intrigued you about this time period?

Guest: Miss Jacobson’s Journey takes place during the Regency because that was the period I was already involved with and, obviously, that was when the initial impetus for my story occurred: the Rothschilds’ coming to the rescue of the British government when their ships carrying the army’s pay were regularly being sunk in the Bay of Biscay by Napoleon’s navy.

It was an interesting time for European Jewry. Many were influenced by the eighteenth-century Enlightenment, moving away from the customs of their forefathers, while others clung to the old ways.  On the Continent, Napoleon was attempting to free Jews from the ghettos (Boney wasn’t all bad). In Britain, they still endured the restrictions shared by Catholics, Quakers, and other dissenters from the Anglican church—they couldn’t attend Oxford or Cambridge universities, nor stand for Parliament, among other disabilities. Yet, like the Quaker founders of Barclay’s Bank, the Jewish Rothschilds were able to start building a highly influential business in Britain as well as on the Continent, and were eventually ennobled. David Ricardo, a Sephardic Jew who married a Quaker, wangled a seat in Parliament and became an important economist and reformer and, fictionally, a friend of Isaac and Miriam Cohen!

Host: I don’t want to give away any more of the storyline and can only encourage others to take up this charming book! Thanks again for joining me today. Is there anything else you’d like to add?

Guest: I’ve enjoyed sharing this time with you. I’d like to include my social media links, Mirta, and an excerpt for your audience.

CarolaDunn.Weebly.com

facebook.com/RegenciesByCarolaDunn

facebook.com/Carola.Dunn.Author

facebook.com/CornishMysteries

facebook.com/DaisyDalrympleMysteries

Amazon/CarolaDunn


Excerpt: Paris, 1811

Lord Felix, a caped greatcoat of drab cloth now concealing his elegance, watched in angry puzzlement as Herr Rothschild showed an impassive Mr. Cohen some papers.

“These are your passports,” he explained in Yiddish.  “You are Swiss admirers of Napoleon, traveling for pleasure to see the country.  You and the Fräulein are brother and sister, and milord is your cousin.”

With a mocking grin, Mr. Cohen glanced at Lord Felix.

“What is it?” demanded his lordship.  “What is the wretched little Yid up to now?”

“According to our passports, you have joined our family.”

“The devil I have!  Do I look like a bloody Jew?”

“Jews come in all shapes and sizes.”  He shrugged.  “You have a different surname–we’ll be Cohens but you’ll be Rauschberg—so perhaps your father was a goy.”

“Rauschberg?  Why not my own name?”

“Roworth is too English by half, unpronounceable in any other tongue.  I trust you are not going to expect to be addressed as ‘my lord’?”  The last words were a sneer.

“As relatives,” Miriam pointed out, “we ought doubtless to address each other by our first names.”

They both turned to glare at her.

 “I can’t see why I must be related at all!” Lord Felix objected furiously.

Author's Interview

Author’s Interview with D.B. Schaefer

Hello and Happy new year everyone! I hope you’ve had a chance to read the previous posts featuring authors of Jewish Historical Fiction. Joining us today, I’m pleased to present D.B. Schaefer. The author was born and raised in the American Midwest, but she headed to more exotic locales after university and has flourished there ever since.

Author, D.B. Schaefer

She has worked as a journalist, newspaper editor, and a technical communicator at various stages of her life. Schaefer also wrote many novels in her dreams before completing Me & Georgette, her quirky time-travel homage to famed Regency historical author Georgette Heyer.

This book was an absolute must read for me. The creative narrative brought Regency and Yiddishkeit successfully into a shidduch and married the two worlds beautifully. I couldn’t wait to read the end, not because I was eager to set down the book; but rather, I was dying of curiosity to see how the time-travel issue was dealt with…Jewishly.

Host: Let’s get right to it, shall we? Tell us how this book came about.

Guest: I was first introduced to the Regency romance genre decades ago. I read several Georgette Heyer novels at the time, but it wasn’t what one would call an obsession. Fast forward several years, and I was married and living in Israel. One day while browsing in a used bookshop in downtown Jerusalem, I came across a bin of old books marked a shekel a piece (about 50 cents at the time) and found several Heyers. I purchased them all. They were perfect reading for the time: clean (because I was a nice religious lady by then), fun, and literate. I became an instant Heyer addict, and the search for more Heyer novels was on. I actually found a different used bookstore whose owner traveled to England several times a year to purchase used books. He had a following of Heyer fans and would hide her novels under the counter. “Do you have any books by Georgette Heyer?” I’d ask, and Dani would surreptitiously pull one or two out for me. Soon I also had friends in American searching for Georgette Heyers to complete my collection. One friend sent me a box full of Heyers that included A Civil Contract, which is one of Heyer’s more mature and serious novels.

After I read it, it occurred to me that there were many similarities (aside from Almack’s) between match-making and marriage in Heyer’s novels and in the orthodox Jewish community. My imagination was fired, and I soon came up with the idea of a nice Jewish girl from Boro Park who is “on the shelf” and “past her last prayers,” but whose best friend still hasn’t given up hope of finding her a shidduch. When the friend invites her to the Purim meal to check out a possible match, she falls off a chair, bangs her head and is knocked unconscious, and wakes up in Regency England. Me & Georgette was born.

Host: There seems to be a wide variety of genres these days, what with the advent of fan fiction and indie books. Why do you think Jewish Historical Fiction is an important, stand-alone, subject?

Guest: History is usually written by the side of the victor or the politically correct. Jewish historical fiction gives a real voice to our history, which has been generally ignored, suppressed, or rewritten by non-Jewish historians and Jewish historians with an agenda. Jewish historical fiction is especially important in light of the younger generation, many of whom do not know where we originate and where our wanderings have taken us over the millennia. Due to their lack of education and anything to Jewish to latch on to, they are in danger of losing their Jewish identity. Historical novels provide an easy entry point into researching more about our history.

Host: Well said! To that point, I think it must be mentioned, at least as a brief aside, Georgette Heyer has been deemed an anti-Semite. In her book, The Grand Sophy, she fashioned a Jewish character to resemble every stereotype imaginable. He was a moneylender, “a thin, swarthy individual, with long greasy curls, a semitic nose, and an ingratiating leer.” The man even sported full, long peyot when, in reality, most Jews of the Regency era did not observe this commandment. Heyer published her book after the atrocities of the Holocaust were well known throughout the world. She deliberately exaggerated caricatures to enforce the idea of Jewish “otherness,” in a time when Regency Jews were striving to acclimate and fit in with their Anglican counterparts. I learned of Heyer’s predilections after reading your novel. I must admit, I felt some satisfaction in thinking that positive, well-rounded Jewish characters had made their way into a Heyer fan fiction. It would be equally satisfying to know her thoughts on the subject!

But, back to your comment regarding our history, do you remember your first Jewish fiction that was non-Holocaust related?

Guest: Two novels stand out for me, both taken from my father’s library. I think one was called A Dangerous Madness or A Type of Madness, although I am not sure of the name and I’ve never been able to track it down. Even many of the details of the plot elude me. But it was about a Jewish sailor who traveled to Elizabethan England to track down the man who betrayed his wife to the Inquisition. The second was a stunning, sweeping historical novel by Brenda Lesley Segal, The Tenth Measure, which is set during the Jewish-Roman war in the Second Temple period.

Host: Even though I grew up a “Pan Am brat,” my father’s airline benefits only afforded us trips back and forth from Los Angeles to Buenos Aires. As an anglophile, one day soon, I hope to make it to England and the Jane Austen circuit. Have you had the opportunity to visit any of the locations you have written about?

Guest: I’m a Kansas girl. I’ve never even been to Boro Park! I have been to London, but not to Gloucestershire, where Me & Georgette takes place.

Host: Curiosity begs me to ask: are you a panster or a plotter? Do you outline your story and know how it will end, or do you go with the flow and allow your characters to lead the way?

Guest: With Me & Georgette, I started as a “panster,” although I knew how the story was going to end (and even what the climax, which is one of my favorite scenes, would be). At some point I realized I needed to develop the plot that would get me to that end point. Somewhere along the line that plot took on a life of its own, and it was great fun getting from A to Z.

Host: That’s the best part, isn’t it—when the plot takes on a life of its own? The characters practically tell you what they want to do or say. Do you have anything in the works now? I enjoyed your book very much and hope there are more to come!

Guest: I have a Regency sequel to Me & Georgette I’ve been writing on and off for the past several years. Because I am employed full time in another profession and have a complicated home life, I don’t have much time or head space to devote to this newer novel. The sequel, which takes place at Ravenscourt (the central location of Me & Georgette), isn’t a Jewish novel, although there are still some Jewish elements to it. But I hope eventually to weave the Jewish characters in and out of the series, possibly through more time-travel in either direction.

Host: Sounds intriguing! I look forward to reading it. Is there anything else you’d like to add?

Guest: Thank you for hosting the interview, Mirta. I wrote Me & Georgette during a difficult year when I needed FUN. And writing it was indeed fun. This year, too, was difficult–perhaps the most difficult in my life. Baruch Hashem (thank G-d) I had my job, my health, my family, and a roof over my head. That is more than many people can say. But for personal reasons I don’t want to go into, it was unbelievably difficult. And so I found myself reading mostly escape literature. Once again, I needed fun. Friends I spoke to told me the same thing. They were unable to read anything heavy and reverted to their comfort reads.

Just like there is a real place for Jewish literature, escapist literature also plays an important role in our lives. We don’t always need to be pompous or heavy, philosophical, or political. We authors who write light literature also have something important contribute: a welcome release in a cataclysmic world. In this new secular year, may we all share in the fruits of the efforts to control, heal, and stop this horrible virus. The vaccines are rolling out, but many additional advances have been made in medicine and science as a result of the pandemic. May we all merit many more years of the opportunity to read Jewish historical literature.

I’ll just leave your audience now with a short excerpt to whet their appetite.

Devorah returned slowly to consciousness. She became aware first of smells: the odor of fresh sweat, followed by the more subtle scents of earth and grass and wildflowers and, perhaps, weeds. Next came a feeling of extreme warmth, as if a ray of heat were pounding down, enveloping her. She was so hot, so very, very hot and thirsty. Then came the excruciating throbbing at the back of her head, as if she had been viciously battered by a sledgehammer. She moaned and tried to open her eyes, only to be blinded by a blaze of sunlight. She shut them again and tried to rest, to ignore the brutal pain in her head and the parchedness of her throat.

“Look, Adam, she’s coming to,” said a disembodied voice with a precise British accent.

“She appears to be slightly disoriented, as if she has a concussion. She must have sustained a blow to the head, though how the deuce—?” an older, more arrogant voice answered in the same, elegant Queen’s English. “Brandy is what’s needed. Do you have any on you?”

“No, but Mother, you know, always keeps a flask in the carriage for just such emergencies as may arise. I see the team rounding the bend now. Shall I signal John Coachman to spring ’em?”

“No need. Just go wait for them and explain what has happened. The lady—if I may call her that—appears to have gone off again. I’ll see whether I can rouse her.”

Devorah made a supreme effort to open her eyes and focus on the figure crouched before her. Dark, piercing eyes set in a harsh, unfamiliar face stared back at her. She took in the strange cut of their owner’s black hair, then her gaze traveled wonderingly down to the white cloth tied at the stranger’s neck, the uptilted points of his exaggerated shirt collar and the antiquated cut of his blue jacket. Involuntarily, her gaze traveled still further down, and she saw with some embarrassment that he was wearing tightly fitted buff breeches fastened with buttons.

“Oh!” she exclaimed, startled, as her eyes flew up quickly to meet the stranger’s own.

“Come, that is better now,” he said in a slightly amused voice. A smile flickered at the corners of his mouth.

Devorah struggled to raise herself, and he reached out to help pull her into a sitting position. “Much better,” he said coaxingly. “How is your head?”

Devorah, still trying to assimilate the stranger’s unusual costume, felt the back of her head at the exact spot where the sledgehammer was battering her and realized with some shock that a lump had sprouted there. “Better, I guess,” she said. But where was she? Who was this man? If only she didn’t feel so confused.

A coach and four came rushing into view and, obeying signals from the younger man, slowed to a halt. This latter person, too, was clothed in knee breeches and boots and an antiquated coat, and when he turned toward his companion, Devorah saw that he sported a similar neck cloth and shirt points. Where had she seen that dress style before? It was strange, but—at the same time—familiar. It looked like something out of Regency England, she realized, the thought coming to her out of nowhere.

“Oh, no!” she cried out, falling backward. She knew, then, what had come of reading too many Georgette Heyer novels.

Author's Interview

Author’s Interview with Caroline Warfield

A few weeks ago, as you know, I decided to launch this blog. As an indie author it is imperative to market and promote your work and to remain in the public eye. But maintaining a blog is time-consuming and takes a toll on the limited brain cells (and creative juices) I have left remaining after a 10-hour workday. Just writing about my books wasn’t going to cut it; and to be honest, the blog would certainly not keep anyone’s attention for long. By inviting other authors to share their work, I hope to shed light on this genre of Jewish Historical Fiction. Its diversity and educational significance, as well as its entertainment value is sure to please. Having said that, I couldn’t be happier to present today’s guest.

Caroline Warfield, author

Caroline Warfield is an award-winning author of family-centered romance set in the Regency and Victorian eras. She has been many things, but above all she is a romantic. She began life as an army brat who developed a wide view of life and a love for travel. Now settled in the urban wilds of eastern Pennsylvania, she reckons she is on at least her third act.

When she isn’t off seeking adventures with her Beloved or her grandson down the block, Caroline works happily in an office surrounded by windows where she lets her characters lead her to even more adventures in England and the far-flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart, because love is worth the risk.

Host: Caroline, you will forgive me, but I’m a little star struck. I’ve read your work and appreciate your standing in the Regency world. It goes without saying, I pretty much loved everything about your book, An Open Heart. There was a certain lightness to it, similar to any other Regency romance, but there was no denying the substantive material in the narrative. I was bursting with pride when the storyline touched upon the contributions and achievements of Anglo-Jews, but I believe my favorite scene had to be the impromptu Shabbat service held in the Duchess of Haverford’s drawing room. What motivated you to write this book?

Guest: I belong to The Bluestocking Belles, an authors’ support group and marketing co-op. We do an anthology or a “boxed set” every  year, often with loosely connected stories. The year I wrote this we had a house party theme. The Duchess of Haverford invited young women who worked with her on charity projects to sponsor a holiday ball for charity. We all added characters to her committee. Jewish characters popped into my head that year; stories sometimes happen that way. Esther, a wealthy, but not aristocratic, young lady was part of the planning committee from the beginning. An Open Heart is a standalone book, but there are minor characters who appear in the other stories, and Esther and Adam appear in some of the others. The collection as a whole was called Holly and Hopeful Hearts.

As an aside, we’re a multi-faith family. While Beloved and I are Catholic, we often celebrate with our daughter and her family who are Jewish. Our grandson celebrated his bar mitzvah last year.

Host: Mazal tov to the Bar Mitzvah and to the whole meshpucha! I love the name, “Bluestocking Belles.” Sounds like my kind of group. But my goodness! A boxed set every year? Tell us, why do you think we are so fascinated with this particular time period?

Guest: The Regency era is a mythical Romantic era. I say that because of the sheer volume of stories classified as “regency.” They don’t always necessarily reflect history. I like to hope mine do.

Host: I, for one, can attest to the historical content of your work. In fact, I am striving to achieve that educational and enlightening component myself! Jewish Historical Fiction is an important, stand-alone, genre in my view. What are your thoughts?

Guest: Good question! I’m not entirely sure I’m qualified to answer that. Insofar as it contributes to the body of truth about history—emphatically yes. My own concern is that the historical romance genre in general realistically portray the diversity of previous eras. Realism matters, and, frankly, all that white bread story telling gets boring.

Host: Since we are speaking of weaving accurate historical events into our storylines, tell us about your research. Were you surprised by your findings?

Guest: I was struck by the efforts of the Jewish community of London to make certain their sons had access to high quality education. They were less concerned about educating their daughters, a blind spot they shared with the rest of England, one my heroine complains about vociferously. Women’s education has always been a passion with me. Several of my books touch on it.

Host: Ah—I think I may know the answer to my next question. Which of your characters resonate with you most?

Guest: Actually, Adam does. His struggle to maintain his identity, his faith, and his attachment to tradition while working in the larger culture was something I relate to strongly. My daughter once told her rabbi that her mother can’t have too much tradition, and she was right. We best appreciate the traditions of others when we cherish our own. The richness of sharing is dear to me.

Host: I would have thought you’d choose Esther; but having read your response, I can clearly see why you went with Adam. To be honest, either character would have been a great pick! Here’s another question along those same lines. Do you have a favorite scene in the book?

Guest:  I love the scene in which Adam arrives at the home of his former teacher, Rebbe Benyamin Nahmany, “the finest Talmudic scholar in Europe,” who lives in a house nestled on the French side of the Pyrenees with his large family. Adam and an English officer are on a mission to bring funds to Wellington and the family is helping them. He realizes with surprise that he has forgotten Chanukah (which after all was a minor feast) when he sees the mother lighting five candles. He enjoys the warmth of the family’s celebration, and I love that he gets his comeuppance by the scholarly learning of one of the daughters. Afterward he is forced to rethink many of his assumptions.

Host: Yes! That was a great turning point in the story and your research served you well. Tell us, are you working on something now?

Guest: I’ve reached the point of projects accumulating in my mind faster than I can write them. I’m working on two new series at the same time.  One is set in a small village in England and centers on two interrelated families. It has less of that diversity I value, but a lot of strong family ties, which are also important to me. The first book The Wayward Son will be launched in July.

At the same time, I’ve been working on a new series that continues my Children of Empire series. The hero is an English archaeologist working in Egypt and Nubia.  The heroine is a French woman who is also a hakima, a medical professional trained to treat women, more of a nurse practitioner than a midwife. It is heavy on history and has a very diverse cast of characters, including Muslim colleagues of the main characters. That will be published by a different publisher, also in July. It is called The Price of Glory.

Host: I’m in awe, Caroline. I can’t imagine undertaking two projects at once. I currently have a Work-in-Progress that started off with a bang, but now is competing with everyday life and a million other distractions and commitments. Which brings me to my closing point. I appreciate your time and thank you once again for your participation today. I’m delighted you’re sharing an excerpt and your social media links with the audience.  

Guest: Thank you for inviting me, Mirta.  A last note: I will happily send an eBook copy of An Open Heart to one person (randomly selected) who comments.


An excerpt from An Open Heart:

“—I don’t understand how your father could send you to that school. Your parents are entirely too secular in their outlook. The Talmud suggests—”

“I wouldn’t know what your precious books suggest. I’m excluded from that kind of learning.” There. She had given voice to her greatest resentment. Let him make what he would out of that.

“Your Mother—”

“Leave my mother out of this. My mother taught me what I need to know about Shabbat and the holy days. And who are you to criticize?”

Adam colored, red blotches staining his cheeks. “Of course, I have no right. I had hoped before I left—”

Esther felt light-headed for a moment. Had he spoken to Papa? Breath rushed back into her lungs, but she raised her chin. “What is it you hoped, Mr. Halevy?”

Adam’s eyes softened, and Ether found herself leaning slightly toward him. A moment later, he stiffened and took a step back.

“My wife will respect our traditions and keep a traditional home,” he announced.

“I wish you luck finding such a paragon, Mr. Halevy,” Esther responded, pulling herself up as tall as she could. “My home will respect tradition and the people we meet.” When he simply glared at her outburst, she went on, “And my daughters will know as much about our faith as you do!”

 “Good luck to you in that endeavor, Miss Bauman,” he said with a jerky nod. He tapped his hat on his head with more force than needed.

When he stepped out the door, Esther couldn’t control the urge to dart out after him. “Adam—Mr. Halevy—wait!”

His frown looked more puzzled than angry when he turned to her.

“Where you’re going—it will be dangerous.” Her lack of breath made the words sound uneven.

Adam nodded.

“I—” The expression on his face stopped her before she could continue. “I’ll pray for you,” she finished at last, “and the success of your journey, of course.”

A sad smile transformed his face. “I would be grateful for your prayers, Miss Baumann.”

Website http://www.carolinewarfield.com/

Amazon Author http://www.amazon.com/Caroline-Warfield/e/B00N9PZZZS/

Good Reads http://bit.ly/1C5blTm

Facebook https://www.facebook.com/groups/WarfieldFellowTravelers

Twitter https://twitter.com/CaroWarfield

Email warfieldcaro@gmail.com

Newsletter:   http://www.carolinewarfield.com/newsletter/

BookBub https://www.bookbub.com/authors/caroline-warfield

You Tube: https://www.youtube.com/channel/UCycyfKdNnZlueqo8MlgWyWQ