Author: Mirta Ines Trupp

My fascination with Jewish history and genealogy, coupled with an obsession for historical period drama, has inspired me to write four unique and enlightening novels. I have been a guest speaker for book clubs, sisterhood events, genealogy societies and philanthropic organizations. Sharing my passion for Jewish Argentina is an honor and a privilege.
Author's Interview

Author’s Interview with Libi Astaire

Mirta Ines Trupp

I’m delighted to welcome today’s guest. Libi Astaire is the author of the award-winning Jewish Regency Mystery series; Terra Incognita, a novel about modern-day descendants of Spain’s secret Jews; and The Banished Heart, a novel about Shakespeare, secret Jews, and 1930s Berlin. She lives in Jerusalem, Israel.

Libi Astaire, author

As an avid fan of all things Austen and being hot-wired for Jewish historical fiction, I was thrilled to discover Libi’s collection of Jewish mystery novels. The Banished Heart most certainly does not take place in London’s Regency period; my heart was not all aflutter for a Mr. Darcy or a Captain Wentworth, but there is a certain Austenesque quality to Astaire’s story about Herr Hoffmann that set my heart pounding. Austen was known for her shrewd observances of communal mores. The biting social commentary within Astaire’s The Banished Heart cannot be denied. Without further ado, let’s get on with today’s author’s interview.

Host: Libi, I’m excited to hear about your new release. Please tell us all about it.

Guest: The Wreck of Two Brothers, the sixth novel in my Jewish Regency Mystery series, is about two young men who share the same name, Judah Herzveld, but different fates. One is a member of London’s Jewish community, the other is a visiting non-Jewish Dutch diplomat. When the diplomat is found murdered in London’s Great Synagogue, suspicion naturally falls upon his English namesake. But is there really some long-buried connection between the two men that has led to the fatal encounter? Or is the shared name just an unfortunate coincidence that threatens to destroy the life and happiness of an innocent man? As usual, my detective, Mr. Ezra Melamed, has only a few clues to help him unravel the tangle of lies and deceptions behind the mystery of who killed the young diplomat.   

Host: Number Six? Kol Hakavod! I’ve enjoyed following Mr. Melamed throughout your previous novels. What draws you to this particular time period?

Guest: When people think of the Regency, which lasted from about 1790 until 1820, they usually think of the novels of Jane Austen. Even though Austen’s novels are wonderful, there was much more going on than young people getting married! For instance, the Industrial Revolution was beginning to make changes in everyday life, including the creation of an increasingly prosperous middle class, while the Napoleonic Wars were very much on people’s minds. So, the Regency was a time of change and social instability, in many ways, which creates lots of possibilities for mystery and intrigue.

I was also intrigued by the Ashkenazic community living in England at this time. While many people are aware there was a Sephardic community, most don’t know there was a sizeable Ashkenazic community too. So, I’ve really enjoyed researching this community and sharing this information with my readers.  

Host: I appreciate authors who weave accurate history throughout the storyline. While doing your research, did anything affect or move you? Did anything come as a surprise?

Guest: I used to write about Jewish history for several publications, and I was often asked to write about the Holocaust, which is of course very sad and moving; but it’s hard to stay in that dark place for long stretches of time. I therefore looked upon my mystery series as a kind of escape. Yes, it’s Jewish history. But it’s fun! Of course, there was plenty of poverty—the vast majority of the Ashkenazic community in London was extremely poor. And there was anti-Semitism, as well as discriminatory legislation. All that is in my series. But I’ve also tried to capture the positive energy and optimism of an immigrant community on the move—hopefully upward, although some of my characters do stumble. Otherwise, there wouldn’t be a mystery for my detective to solve.      

Host:  That is exactly what attracts me to your work and storylines. Your characters are nuanced and diverse. Do you have a favorite among them?  

Guest: I started writing the series a decade ago, and there are about a dozen characters who have recurring roles in the stories—sometimes playing a major role and sometimes appearing in just a scene or two.  It’s a little community, and I love spending time with all of them. Having said that, I do have a special place in my heart for my two narrators, who take turns narrating the stories—Miss Rebecca Lyon, a Regency miss who aspires to being an author, and General Well’ngone, a young Jewish pickpocket who aspires to eating a good meal by a warm fire.

Host: Have you visited any of the locations you have written about?

Guest: I’m a big believer in visiting locations you write about, and I’ve been to England several times, including a year I spent studying theatre in London. Unfortunately, many of the Jewish locations I write about no longer exist or they look very different today. For instance, the Great Synagogue was destroyed during the Blitz of World War II. Fortunately, there is an abundance of visual history from the period—maps, aquatint prints, etc.—and so I’ve been able to reconstruct some of my locations from these images.      

Host: As I’m relatively new to the craft of writing novels, I am curious to know your process for putting “pen to paper.” Are you a panster or a plotter? Do you begin with an outline and know how the story ends from the get-go; or do you go with the flow, and allow your characters to lead the way?

Guest: I’m definitely a “pantser.” I do write a brief synopsis before I begin writing—and have a good laugh when I read it over after the book is finished. The kernel of the story is there, but the personality of the new characters is usually different from what I originally imagined. And then there are the characters who appear out of nowhere and end up playing an important role. I think if I knew “whodunnit” from the get-go, I’d never write the book. Part of the fun of writing the series is that I’m often surprised by what happens.

Host: Are you working on something now? What was your motivation for this new project?

Guest: I’m about to begin work on two holiday-themed novellas for a new collection of short mystery stories. I like the challenge of the novella—writing a satisfying story in less than 40,000 words—and I like the challenge of including information about the Jewish holidays without sounding too preachy. I hope to have the collection on sale around Purim.  

Host: I wish you the best of luck with your projects and applaud your dedication and creativity. I’m excited to read the excerpt you’re sharing today! Is there anything else you’d like to add?

Guest: Thanks so much for inviting me, Mirta! Please see the links below:

Website:  http://libiastaire.weebly.com

You can get introduced to the Jewish Regency Mystery series for free with the first volume in the series, Tempest in the Tea Room

Excerpt from Chapter Four of The Wreck of Two Brothers:

“I AM NOT AGAINST PROGRESS,” said Mrs. Lyon, “but I do think some young women today are much too forward. I should hope none of my daughters would rush to view a dead person’s body.”

Mrs. Lyon cast a stern glance in the direction of her daughter Rebecca, who had been gazing intently at the sketch of the Dutchman’s face. It was not because Rebecca thought she knew him, but because, being something of an artist herself — as the collection of painted dishes in the breakfront in her family’s drawing room testified — she wondered how the Bow Street Runner had achieved so much with so few strokes.

Mr. Melamed had returned to his home on Bury Street, bringing with him a copy of the sketch the Bow Street Runner had made earlier. This sketch he was now showing to those still gathered in his drawing room: Mr. and Mrs. Lyon and their daughter Rebecca, Mr. and Mrs. Baer, and Daniel and Mordechai Deerfield. Esther Deerfield was upstairs in the nursery, where her son and the younger Lyon children were having a light supper.

While the servants had cleared away most of the remains from the party, the drawing room, which was usually kept in immaculate order, was still in a state of casual disarray. Those who had remained were also making themselves more at ease than a visit in that drawing room usually permitted. For while their degree of intimacy with Mr. Melamed differed, the tragedy had created a connection between them more quickly than a purely social engagement could have done. Thus, a stranger looking upon the scene could have been forgiven for thinking he was observing an extended family at rest on a long Sunday afternoon at home instead of a gathering discussing a murder.

“If you had been blessed with more sons, Mrs. Lyon, you might be more charitable,” said Daniel Deerfield, politely coming to the defense of his absent sibling. “If Eva seems unusually bold for her sex, I am afraid it is because Mordechai and I treated her more like another brother than a sister.”

Mordechai Deerfield, who had already consumed several small fish sandwiches and had now drifted back to the buffet table to see what else there was to eat, commented, “Yes, the fault, if any, is entirely ours. But in one respect I do agree, ma’am, her behavior today was odd. Eva never struck me as the fainting kind.”

“I doubt she has had a wide experience with viewing human corpses,” said Daniel.

“And I hope she does not intend to remedy her lack of experience,” said Mrs. Baer, who had assumed the duties of hostess and was busy with pouring out more tea. “I cannot think why she insisted on going to the synagogue before going home.”

“She said she had misplaced some notes she had written during the previous committee meeting, which she needed to help her prepare for the meeting tomorrow,” said Mr. Melamed, who was looking fatigued from the long day. “She thought someone might have found them and placed them in the cupboard in the upstairs room.”

“Were they there?” asked Mr. Baer.

Mr. Asher Baer and his wife were the owners of a kosher coffee house on Sweeting’s Alley. Like his wife, he possessed an abundant supply of plain common sense. That, along with his ability to think through a knotty problem with clarity, had made him a welcome confident when Mr. Melamed was confronted with some puzzling crime affecting the Jewish community.

“No, they were not,” replied Mr. Melamed. “Thankfully, the Runner accepted her explanation and allowed the Deerfields to go home.”

“I am sure that is all very well,” Mrs. Baer commented. Then, turning to Daniel and Mordechai Deerfield, she said, “But you, gentlemen, are her brothers, and you might drop a word in Miss Deerfield’s ear that now she is engaged she should be more worried about finding ways to please her fiancé than finding committee meeting notes.”

“Herzveld surely knows what he is in for,” said Daniel Deerfield. “He practically grew up in our home. By the way, sir,” he said to Mr. Melamed, “you did not mention the murdered man’s name. Is the information being kept secret, or have they not yet identified the body?”

Mr. Melamed had been expecting the question. In fact, he was mildly surprised no one had asked it earlier, while they were passing around the sketch of the Dutchman’s face. It could be explained, he supposed, because the murdered man was not a member of their community, and so no one in the room expected to know him. Therefore, the man’s name was just one detail among many — and not one of the more interesting ones. As for why he had not mentioned it, on that point Mr. Melamed was clearer. First, he wanted to know if anyone had seen the young Dutchman — where, at what time, and with whom — and for that the sketch was enough. Mention of the name would only lead to useless speculations, after a suitable period of stunned silence.

But because his son-in-law had voiced the question, Mr. Melamed replied, “It is no secret. He carried a card-case. And he was identified by an acquaintance, a Mr. Hendriks, who is a member of the delegation from Holland. His name was Judah Herzveld, and he was also part of the Dutch delegation.”

As he expected, his announcement was greeted with astonishment — looks which ranged from slightly puzzled to outright, open-eyed amazement.

“There are probably dozens of Judah Herzvelds in Holland,” said Mr. Lyon, the first to recover and break the uncomfortable silence.

“Still, it is a strange coincidence,” said Daniel Deerfield.

“It is positively ghoulish,” said his younger brother. “Almost like a ghost rising from his grave to—”

Miss Lyon gave a little gasp. For an admirer of the Gothic novel, which she was, this surprising turn of events was thrilling — almost like one of Mrs. Ann Radcliffe’s stories come to life! She could almost hear the iron chains, which had surely been wrapped around the poor ghost’s legs, clanging in the hallway when —

“Stuff and nonsense,” said Mrs. Baer. “If it had been a ghost, it would not have allowed itself to be killed.”

“I stand corrected, ma’am,” said Mordechai Deerfield, with a mischievous twinkle in his eye. “What would a ghost have done?”

Author's Interview

Author’s Interview with L. Bordetsky-Williams

Mirta Ines Trupp

As a “newbie” in the blog world and an independent author, I was excited when L. Bordetsky-Williams contacted me for the purpose of marketing her new book; but I have to admit, I vacillated before going forward. Why? In all honesty, it was because the scope of the author’s work differs greatly with the theme of my site. While the premise for my blog is Jewish Historical Fiction, this novel cannot be considered light reading and it certainly is not Austenesque. I therefore need to alert sensitive readers to the darker subjects discussed in the interview. Now that I’ve done my due diligence, allow me to introduce today’s guest!

L. Bordetsky-Williams is the author of the newly released historical novel, Forget Russia (Tailwinds Press), the memoir, Letters to Virginia Woolf (Hamilton Books, 2005, http://www.letterstovirginiawoolf.com); The Artist as Outside in the Novels of Toni Morrison and Virginia Woolf (Greenwood Press, 2000); and three poetry chapbooks:  The Eighth Phrase (Porkbelly Press 2014), Sky Studies (Finishing Line Press 2014), and In the Early Morning Calling (Finishing Line Press, 2018). She is a Professor of Literature at Ramapo College of New Jersey and lives in New York City.

L. Bordetsky-Williams, author

Host:  It’s an honor to host such a prolific author and educator. The world of Jewish fiction encompasses a diverse field of narratives. Please tell us all about your current release. 

Guest: Forget Russia tells the story of three generations of Russian Jews, journeying back and forth from America to Russia, during the twentieth century, as they search for a home.  From before the 1917 Revolution to Brezhnev’s Soviet Union, this is a tale of unlikely heroes and the loss of innocence.  It is a story of love, murder, revolution, and betrayal. The novel is set to be published by Tailwinds Press on December 1, 2020.

Host: My own ancestors were fortunate to escape Imperial Russia prior to the revolution. What was your motivation in writing about this time period?

Guest: I wanted to understand the lives of my ancestors and how their lives intersected and influenced my own.  My great-grandmother was raped and murdered in a pogrom in a small Ukrainian shtetl by Cossacks shortly after the Civil War between the Red and White armies ended.  When the Red army finally was able to take over the Ukraine from the White and Ukrainian Nationalists, the retreating and defeated armies went into the Jewish shtetls and killed many Jews, who they equated with the Bolsheviks.  I wanted to understand how this initial trauma affected the subsequent generations of women in the family.  My grandmother came to America in 1921 after losing her mother in such a tragic and violent way.  She settled in Roxbury, where her father, who had deserted the family years ago now lived with a new wife and children.  It is not surprising that shortly after arriving, at the age of seventeen, she married a man approximately eighteen years her senior. 

Then, in 1931, she and my grandfather actually returned to the Soviet Union with my mother and aunt, ages five and three.  My grandfather, a carpenter, had come to America before the Revolution and had radicalized here.  Life became incredibly difficult here during the Depression. It had always been a dream of his to return to the Soviet Union, the land of his birth, and build the revolution.  While much has been written about Jewish Eastern European immigrants coming to this country, the experience of those American Russian Jews who returned to the Soviet Union to build the revolution in the early 30’s has been relatively unexamined.

Host: That certainly holds true for me. I have not read much about Russian Jews returning after the revolution. My paternal grandfather, zeide Manuel, always insisted the family supported the White Russians. My understanding was there had been hope for a democratic monarchy prior to the Bolshevik uprising. Childhood memories can only recall my grandparents’ gratitude for having been able to immigrate. Have you had the opportunity to visit the area yourself? 

Guest: Yes, I was a Russian language student in Moscow in 1980 at the Pushkin Institute.  When I was there, I had the opportunity to meet the Soviet Jewish grandchildren of the Bolsheviks.  Many of their ancestors had been imprisoned, killed, or exiled to labor camps by Stalin.  It was heartbreaking to see how their ancestors’ dreams for a better, more equal society had been betrayed during Stalin’s purges.  I also, for the first time, saw first-hand, how anti-Semitic Soviet society was.  On Rosh Hashanah Eve, we went to the only functioning synagogue in Moscow, and a car dashed across the cobble-stoned streets in an effort to intimidate and frighten the Jews gathered there.

My trip as a student to the Soviet Union truly changed my life.  I spent three and a half months there, and from the moment I returned, I struggled to find the right form to express the ways that journey changed me.  Finally, I realized the novel form would give me the freedom to intertwine the three generations’ stories.  I also wanted to weave in a love story with an epic, historical setting, so the novel was the best form for that as well.

Host: Did any particular character resonate more than others in your novel? 

Guest: My character Iosif, a young Soviet Jew, who has a photograph of Leo Tolstoy hanging in his room.  He is a true intellectual within a distinctly Russian and Soviet context.  While he hates the absence of freedoms in his own country, he sees America as a sick and decadent place and imagines Americans only talk about business. For him, America is soul-less in its materialism, and yet the Soviet Union is as he calls it a nightmare where nothing works, and everyone worries that life will get even worse after Brezhnev dies.

Host: Iosif sounds like a troubled soul, grieving for his country and mourning for humanity. As the granddaughter of Russian Jews, and a second-generation Argentine, I recently commemorated Thanksgiving Day by acknowledging my gratitude for living in the United States of America. Such a day gives one pause to reflect on the meaning of the words: Life, Liberty and the Pursuit of Happiness.  Had my ancestors remained in Russia, they would have had to suffer through the revolution and the tumultuous period thereafter. If they survived Lenin and the Bolsheviks, they would have faced the Nazis. The horror is unimaginable. And so, I gave thanks that my ancestors fled their homeland and that my parents had the wherewithal to leave behind the corruption— and destruction— of Peron’s Argentina. The courage that our ancestors demonstrated in their pursuit to survive is astounding. But I seem to have taken over your interview. Before I go off on a tangent again, let me take this opportunity to thank you for sharing your story with us. 

I understand you have an excerpt from Forget Russia. Is there anything else you’d like to add?

Guest: Thank you, Mirta. Here are the links to my social media and website:

Forget Russia website: https://www.forgetrussia.com/

Twitter: https://twitter.com/BordetskyL

Instagram:  https://www.instagram.com/forgetrussia/

Facebook:  https://www.facebook.com/ForgetRussia

Forget Russia Book trailer:

It was only five hours from Heathrow to Sheremetyevo. We flew through more than time zones. Outside the clouds obscured the sunrise. It seemed we were descending into a new realm, perhaps to seek advice on how to reach our destination. But before I knew it, the plane started to arrive, to dip down until I saw the trees through the small window—Russian trees, thickets of pine. The plane bumped down noisily onto the runway.

The doors opened and I stepped out of the plane into a dim, flickering passageway. I moved into a gray darkness. Military men in brown uniforms were everywhere in the Sheremetyevo airport, their rifles slung across their chests. The American students nodded wordlessly or else walked very close together, speaking in half-whispers.

The first stop was a glass partition where another man in brown sat and asked for my visa. He looked first at the picture stapled to the document and then at me, his eyes inspecting every aspect of my visa; he stared at my face and then the visa photograph over and over again. Just when I was expecting the military men to escort me somewhere, he nodded and returned the visa to me, so I could proceed with my suitcase to customs. I looked backward and saw the American students standing in a line, one by one, as they approached the glass divider, our first greeting in the Soviet Union.

In the USA, the group leaders had said: The Soviets may search your bags. Don’t bring in a Bible. Don’t bring in Time magazine. Don’t write addresses of Russian friends in a book that is easily read. The customs official only opened one of my two suitcases and looked quickly inside before closing it up. But one student, Barry Moskowitz, had all his clothes dumped in a heap for him to refold and squash back inside. I couldn’t believe what I was seeing. I wanted to help Barry repack, but we were kept moving in a line. No one dared speak above a whisper.

The driver of the yellow school bus waited for the American students outside the airport. Two by two we entered. It should be morning, my body told me, but I entered evening and when the bus began to move all I could see was highway and cement pavement.

I had come back to the land where my great-grandmother died, thrown off a boat into the Guilopyat River.  Her spirit, it seemed, was in the cracks of cement, in the wide streets and lights rising in the evening, in the thin branches of trees visible before we entered the highway. I wanted somehow to find her.

Darkness was falling on the outskirts of Moscow. I peered across the highway into the center of the city, where Cyrillic letters glittered across the tops of buildings, Power to the Revolution. As the bus ambled along, I saw a poster of a man in a dark suit, a torch raised high in his hand, a red hammer and a sickle behind him and the words, XXVI Congress of the Communist Party of the Soviet Union above his arm. Then another one of Brezhnev—his slicked-back hair emphasized his widow’s peak, his wide face, and glasses; the circular hammer and sickle with a star hung above him and printed below, Following Lenin’s Course. There were no advertisements anywhere, no rugged Marlboro man, no Let Your Fingers Do the Talking, no Light My Lady Cigarette, no Coca-Cola Pepsi feuds or Minute Rice. I was relieved to get a break from all the flashy slogans everywhere in the USA, and yet the city looked so stark and austere without them.

I glanced up at the Hotel Rossiya, a rectangular building; its name lit up in all that darkness.

New Post

Chanukah – Hanukkah – Januca- חֲנֻכָּה- Jewish Historical Fiction Books Make Wonderful Gifts!

Mirta Ines Trupp

Whichever way you spell it, the holiday is here! Give them a book this year. Everyone wins!

A different take on Jane Austen’s Pride and Prejudice. This novel introduces Jewish characters to this beloved novel. Mr. Darcy and Elizabeth are days away from saying their vows when Rabbi Meyerson arrives to Meryton.

With a definite nod to Jane Austen, this novel begins in Imperial Russia and follows the Abramovitz family to the shores of Argentina. Leah is faced with life-altering decisions. Where will this journey lead?

A coming of age fantasy, this novel will take the reader back in time to Imperial Russia in the early 1900s. An accident reading of an ancient incantation, allows Molly Abramovitz to meet her great-great grandmother, Malka.

These Jewish Historical Fictions novels are clean reads and set outside of Europe. I hope you enjoy!

New Post

Going Down the Rabbit Hole~ In Pursuit of Jewish Austen Fan Fiction

Mirta Ines Trupp

Have there ever been two siblings more connected than the Austen sisters?

Their mother was known to have said, ““If Cassandra were to have her head cut off, Jane would insist on sharing her same fate.”

Rabbit Hole Number One: Sisters…

Cassandra Austen
“Possibly” Jane Austen

I am forever delving into history books and Internet sites, going down the proverbial rabbit’s hole in search of enchanting stories of elegant ladies and gentlemen of days gone by…who just so happen to be of the Jewish faith.  I surround myself with Austen’s novels, Regency knickknacks, and Judaic memorabilia in the attempt to weave  something Austenesque with a touch of Yiddishkeit. I strive to become, in some small way, a soul sister to our beloved author.

Follow me, if you can, as I go through this process of finding commonality and concurrence.

Rabbit Hole Number Two:  What is a soul sister? An Internet search provided the following information: Soul sisters have a strong emotional bond with one another. They have common dreams and aspirations and share fundamental life philosophies— despite having no blood relation. 

Rabbit Hole Number Three: Who could be considered Jane Austen’s soul sister? I looked for a contemporary— someone who might find herself featured in one of my J.A.F.F. stories. Someone who was like Jane in most every way, but one. After countless hours of research, and untold cups of tea, I found her: Rebecca Gratz.

Are you ready? Here we go…

  • Rebecca Gratz was born in Philadelphia, Pennsylvania, on March 4, 1781, a middle child among twelve children.
  • Jane Austen was born in Steventon, Hampshire, on December 16, 1775, the seventh of eight children.
  • Gratz, a fervent patriot the whole of her life, was accustomed to the highly political atmosphere of a post-revolutionary America. 
  • Austen, accustomed to having her country at war for most of her life, had three brothers serving in the navy and militia. 
  • Gratz abandoned her early poetry and put her literary talent to work supporting both women’s roles and Judaism in America.
  • Austen began her career as an epistolary novelist. Her work has been a lasting influence on British literature; her stories underscored the realities of women’s’ lives.
  • Well-educated for her day, Gratz attended women’s academies and read her father’s extensive library stocked with literature, histories, and popular science.
  • Austen attend schools for girls. She was, however, allowed to use “some of the same school books as the boys” and had “unfettered access” to her father’s library.
  • Rebecca Gratz fell deeply in love with Samuel Ewing, a non-Jewish lawyer and son of the provost of the University of Pennsylvania. Nothing came of it, however, possibly because intermarriage was one step she could not take. When he died decades later, Gratz visited the room where his body lay, leaving three white roses and her miniature on his heart. Gratz would argue that, from what she saw of marriage, it was a state that brought little happiness. “Better to wander alone through the neglected path of single life,” she wrote, “than with an ungenial companion.”
  • Jane Austen was twenty when she met Tom Lefroy, a young man studying to become a barrister. The Lefroy family intervened and separated the pair. She never saw him again; however, in a letter to her sister, Austen related that she had had tea with one of his relatives, “and wanted desperately to ask about him, but could not bring herself to raise the subject.” In 1814, Austen replied to her niece’s request for advice regarding a possible suitor. “Anything is to be preferred,” she said, “or endured rather than marrying without affection.”
  • Rebecca Gratz was a visionary. She became the founder of the American-style “Hebrew school” and developed the prototype for many women’s charitable organizations. She died on August 27, 1869 in Philadelphia, Pennsylvania and was buried at Mikveh Israel Cemetery. Shortly after, her brother, Hyman founded and financed Gratz College, a teachers’ college in Philadelphia in her memory.
  • Jane Austen was a visionary. Lauded as being the first woman to write great “comic” novels, she used humor to explore the individualism of women’s lives. Austen died on July 18, 1817. Her brother, Henry, saw to her burial at Winchester Cathedral. He arranged for the publication of Persuasion and Northanger Abbey and contributed a note, which for the first time, identified his sister as the author of the novels.

Rabbit Hole Number Four:     I put it to you. Are these two ladies, one Anglican and one Jew, not the very personification of soul sisters? Enquiring minds want to know!

Jane Austen- Rice Portrait
Rebecca Gratz

With love,

Author's Interview

Author’s Interview with Sherry V Ostroff

Mirta Ines Trupp
Sherry V. Ostroff, author

I have invited Sherry V. Ostroff, author of The Lucky One, a memoir, and award-winning Caledonia, a historical novel, for today’s interview. Sherry earned a Bachelor’s in education from Temple University and a Master’s in history from Millersville University. She taught all levels: elementary, secondary and college. Sherry devotes her time to writing, family, reading, and traveling. She lives with her high school sweetheart in Lancaster County, Pennsylvania.

I have had the pleasure of reading Caledonia. I was drawn to the storyline as it encompasses the history of Iberian Jews settling in, of all places, Scotland. The added intrigue of a modern-day woman, sort of floundering in her world of loss and mystery, connecting with her 17th century Jewish ancestor reeled me in. Throw in a couple of Highlanders and I was hooked! Let’s get started, shall we?

Host: Sherry, tell us what you’re working on these days.

Guest: My upcoming release is called Mannahatta. It is the sequel to my first historical novel, Caledonia. I expect the sequel to be out in the spring of 2021. Caledonia and Mannahatta are twin inter-generational stories covering two different time periods: 1696-1712 and 2205-2008. Both stories are in Scotland, Central America, and New York City.

Host: I am drawn to non-Holocaust, Jewish Historical Fiction. What motivated you to write about this specific time period?

Guest: This all started when I was drawn to an obscure historical event when the Kingdom of Scotland wanted to create a colony in the New World, in what is today, present day Panama. When I asked history teachers, history enthusiasts, and the Scots I’ve met on my many trips to Scotland, almost no one was aware of this remarkable event. I decided it was time for the world to learn about it.

Host: Why do you think Jewish Historical Fiction is an important, stand-alone genre?

Guest: Someone a lot smarter than me once said, if you follow the course of antisemitism, you, you will understand world history.

Host: Sherry, your books deal with heavy subject matters. I am curious. While doing your research, were you particularly moved by anything you discovered? Did anything come as a surprise?

Guest: It is important to me, as a historian, to keep the facts. I know this is historical fiction, but my writing weighs heavily on the history side of the genre. Thankfully, in my research, I always come across interesting bits of information. For example, on a trip to the Historic Dockyard in Portsmouth, England, I learned that Admiral Nelson had a fear of dying at sea and his body tossed overboard. Therefore, he always had a barrel of rum set aside for such an event. When he died during the Battle at Trafalgar, he was preserved in the rum until the ship returned to England three months later.

This anecdote was brought to life in Caledonia by Cook Innes. This has happened many times while writing Caledonia and Mannahatta. My readers love these stories.

Host: Have you ever visited the locations you feature in your stories? 

Guest: For Caledonia, I have visited almost every place mentioned in the book and that includes most of Scotland. For Mannahatta, I have also been to lower Manhattan and have gone on tours which describe what the area was like in its early days. Since half of the book takes place at the end of the 17th and early 18th century, I try to visit places, like living history museums and historical societies that will help me understand the time. The only setting I couldn’t visit was Darien National Park in Panama. There are State Department warnings and restrictions because it is one of the most dangerous areas in the world. Therefore, I rely on the writing of others, those more adventuresome than me, and Google Earth is helpful.

Host: Which of your characters resonate with you most? 

Guest: The characters in my book are like my children. It is hard to say that I favor one over another. It’s interesting when a reader contacts me and tell me how much they hate arch-villain Nathan. I just smile because he’s also my creation, and I’m fond of him.
Some characters are fun to write. The one that fits that description is Cook Davey Innes. He befriends the main character, Anna, on a ship set for the New World. I didn’t mean for him to stick around. He was meant to bring some levity to the awful conditions on board, but his character kept growing and revealing more and more layers; a gift that kept on giving. And so, he makes a return engagement in the sequel, Mannahatta.

Host: Do you have a favorite scene or event in the book? Don’t give anything away!

Guest: In Caledonia, the scene that brought me to tears was the final chapter. It tied everything together: a man of integrity, a proposal, and a death bed. But one of my favorite scenes was the removal of the botfly that had infected one of the colonists in Caledonia. It was a gruesome description, but wonderful to write.

In Mannahatta, there are so many scenes. But I guess my favorites are two. Early in the book, the discovery of a 300-year-old artifact that was believed to be lost and held so much meaning in the book. Another favorite is at the end of the book, when the mysteries that started in Caledonia all come together in a very satisfying ending.

Host: Are you already onto the next project? Are you able to share what you’re working on and when we can expect to see it in print?

Guest: I have started the research for another project. Presently, I’m in the “read for enjoyment” phase. I can only say that my next book will be an historical novel. Again, it is something that not many know about.

Host: Is there anything else you’d like to add?

Guest: I am available to meet with book groups and I offer 3 different book talks. They are not the usual kind of talks where the author reads an excerpt. These are discussions on the art of writing. One is called, “Fanning the Spark, The Creative Process.” This is about how an author gets an idea for a story and where they take it from until it is a book on a shelf. Another talk, my newest, is “The History Behind the Historical Novel.” In this talk I trace where the historical novel genre came from.

Host: I understand you are offering one signed book and one eBook (Kindle) each of Caledonia and The Lucky One. Readers, your comment, in the field below, is your entry in the giveaway. I will announce the winners next week, so stay tuned! Sherry is leaving us with an excerpt. Enjoy!


It was time. All my dad’s affairs were taken care of except for one last thing, a safe deposit box at a large bank in lower Manhattan. I put off emptying the contents because it was the final act of a tragic play with no encores. I feared if I wrapped up this last bit of business, I had accepted his death.

That’s how I found myself in a dank subterranean vault. I gathered up the contents of the box, balanced them in my hands, and walked out of the small room made available for the customer’s privacy. Wiping away a tear and sniffling quietly into a tissue, I handed back the nondescript key to the gray-haired bank clerk.

She eyed me sympathetically over her half-rimmed glasses attached to a chain around her neck, as I fumbled my possessions. “Miss Duncan,” she said, “maybe this will help.” She held out a plastic grocery bag. I guess she’d seen many come unprepared.

“Thank you,” I mumbled through my tears hoping she heard me.

I just wanted out of there. I ran up the steps and exited into the blinding sunshine, flipped on my sunglasses, and worked my way to mid-town and Penn Station.

My grandparents let me know beforehand what the box contained. There were no surprises, nothing of consequence: three $100 EE United States savings bonds, a copy of a title for a car sold years ago, a Boy Scout badge, a locket with my baby picture and a few strands of hair, and an envelope.

I held the plastic bag close and boarded the train that plied the northeast corridor of the New Jersey Transit. It would take over an hour and sixteen stops to reach the end of the line in Trenton. The train was full of people returning home after a day of working, shopping, or sight-seeing. A short elderly woman, who reminded me of my grandmother, sat next to me.
She smiled and complained at the same time, “My feet. These shoes are killing me.” She kicked them off and leaned back in her seat.

I nodded. I wasn’t in the mood for talking. Not today. Unfortunately, older people talk to almost anyone. The woman tried once more. “Hi, I’m Rose. Wasn’t today beautiful? If I had comfortable shoes, I would’ve done more shopping.”

I didn’t want to be rude, but all I could manage was a weak, “Hanna. Yes, today was nice.” What I wanted was to be left alone, lost in my thoughts remembering my dad and another perfect summer day that seemed to mock a national tragedy. On that day there hadn’t been a cloud in the sky to block out the sun or diminish the sky’s brilliant blue. For me, it was the coldest and dreariest day of my life. The day my dad was murdered.

The woman gave up, pulled out a book from her bag, and began to read. After a few minutes the train jerked forward. I settled in for the long ride home and tried to make myself comfortable even though there was never enough room for my long legs. Late arrivals scurried from car to car hoping to find a seat, only to be grateful to lean against a wall or a door. Some passengers were immersed in their phones or newspapers. Others stared blankly out the window. But the car filled with chatter as passengers discussed the latest gossip or the events of their day.

As the train lumbered toward its first stop in Secaucus, I clipped back my unruly hair, leaned my head against the cool glass, and gazed at the New York skyline. I would never get used to the missing twin towers. Their absence was like a gaping hole in a mouth full of teeth. No matter how you tried to cover it up, the smile was never the same.

A conductor collecting fares interrupted my thoughts. The snapping sound of his punch announced him, and quickly he was gone. The train continued southward to Newark, Elizabeth, and Linden while my thoughts returned to New York.

For twenty years my dad had worked at the World Trade Center as a senior accountant for one of the top firms on the east coast. He was well-liked and respected; he loved his job. He looked forward to going to work. Whether I was awake or not, his morning routine included a kiss on my forehead, a readjustment of my blanket, and a whispered, “Good morning, Sunshine,” before he slipped quietly from the house. He always arrived at his desk before anyone else, with a box of glazed doughnuts and fresh coffee to share with the overnight cleaning crew finishing their shift. His routine ended on September 11, 2001.

No one saw it coming, totally out of the blue, like the sky that morning. Everyone was in a state of shock. For me, it was the worst pain I had ever felt in my life. Although four years have gone by, I’ve still not accepted it. The gut-wrenching part — my dad wasn’t even supposed to go to work that day.

As the train arrived in Princeton, a taped voice on the train’s intercom continually reminded departing passengers, mostly college students, to “watch the gap.” They jostled their way to the exits and quickly disembarked. The elderly lady, my co-traveler, left without a word taking her lemon scent with her. After the first few stops the crowd thinned, and I had the luxury of the entire row to myself.

The next stations were Hamilton, then Trenton. From there it was only a half-hour on the Trenton Line to Philadelphia. If I had a few minutes to spare, I’d call my grandparents. They were anxious about my trip to New York.

Dad’s parents were my only remaining family. My mother’s parents died before I was born, and I lost my mother when I was very young. My grandparents became my guardians for a few months after my father was killed. They were good to me but were a bit overwhelmed with the shock of losing their only son and assuming a parental role once again. I vowed that as soon as college was completed, I would go out on my own but live nearby, so we could visit often.

I exited the train, mindful of the gap, and tucked the plastic bag under my arm. Fortunately, the Philadelphia train was waiting at the platform. I entered, quickly grabbed a seat, and continued to think how different my life would be today if events had been altered.

Dad had helped me move in the weekend before the start of classes. By the time we were halfway down I-95, I realized I forgot my new cell phone. He offered to return in two days with the errant phone. It was a great opportunity to spend the day together before I got too busy with classes, papers, and friends. He checked his schedule to confirm the day.

“Hanna, Tuesday works for me. My new assistant, Carly, can manage the workload. I want to give her some space without always being there to get her out of a jam. She’s got to learn and gain confidence.”

“Great. Let’s go where you and Mom used to hang out when you went to school here. Show me some of the highlights of downtown Philly and the best place to eat in Chinatown.”

“Yeah, sure. I’d like that, Hanna. It will be our day, just the two of us.”

Just the two of us. I didn’t want to tell my dad I was homesick. But then, maybe he already knew. I looked forward to our day together.

I was so disappointed when Dad had to cancel. He was expecting some important client, and Carly wasn’t experienced enough to handle it alone. The parents of my roommate Jess lived near Dad and were coming down to replace a broken monitor. They offered to bring my phone and save my dad the four-hour, round-trip drive. Yeah, saved my dad the trouble, but it hadn’t saved him.

Thinking about the “what-ifs” really gets me down. What if there had been just one minor fluctuation in the order of events leading up to 9/11? What if Jess’s parents couldn’t make the drive, or if Carly had more experience? My father used to tell me that hindsight is twenty-twenty. In this case, exploring all the possibilities was especially painful. There are no satisfying answers to the “what-ifs.” There are no do-overs — period.

 

 

Coming soon in 2021
Author's Interview

Author’s Interview with Michelle Cameron

Mirta Ines Trupp

I am pleased to introduce today’s guest, Michelle Cameron. Michelle is a director of The Writers Circle, an NJ-based organization that offers creative writing programs to children, teens, and adults, and the author of works of historical fiction and poetry: Beyond the Ghetto Gates, which won the 2020 Silver Medal in Historical Fiction in the Independent Book Publisher Awards (IPPYs), The Fruit of Her Hands: The Story of Shira of Ashkenaz, and In the Shadow of the Globe.

Michelle Cameron, author

She lived in Israel for fifteen years (including three weeks in a bomb shelter during the Yom Kippur War) and served as an officer in the Israeli army teaching air force cadets technical English. Michelle lives in New Jersey with her husband and has two grown sons of whom she is inordinately proud.

Host: Michelle, that is quite a fascinating bio. I’m excited to learn more of your work. Please tell us about about your latest project.

Guest: My Jewish historical novel, Beyond the Ghetto Gates, was published this past April. It tells the story of the 26-year old General Napoleon’s military campaign through Italy in 1796-7. When he reaches the harbor city of Ancona, he first encounters locked ghetto gates, and sends his Jewish soldiers to demolish them and emancipate the Jewish residents. Beyond the Ghetto Gates is also the story of two women – Jewish Mirelle, who must choose between her duty to her family and faith or her love for a dashing French Catholic soldier and Catholic Francesca, who is trapped in a marriage to an abusive and ultimately murderous husband.

Host: Why were you motivated to write about this time period?

Guest: My earlier historical novel took place during the rise of antisemitism and, as it included blood libels, book burning, torture, and more, in many ways it was a difficult book to write. I was explicitly looking for that rare beast – a joyous moment in Jewish history.

Host: Ah. Now you are speaking my language! Tell me more.

Guest: While reading about the Jews of the French Revolution, I happened upon Michael Goldfarb’s nonfiction book, Emancipation. In it, he describes the scene of Napoleon’s happening upon the ghetto gates. This highly dramatic moment had “novel” written all over it. One of the themes that runs through much of my writing is the tension between assimilation and safeguarding religious belief, which is why I was motivated to write about this time period. It also intrigued me because it was a historical episode many readers (and this writer) had never heard of before.

Host: I appreciate authors who weave accurate history throughout the storyline. In particular, I enjoy discovering, and highlighting, the beauty of our Jewish heritage. While doing your research, were you surprised at your findings?

Guest: While I could anticipate much of what I found in my research, there were actually two substantial surprises, both of which contributed mightily to the plotline.  The first was discovering that Ancona, Italy, was the world center of ketubah (Jewish marriage certificate) making during this time. The artisans of Ancona were the first to illuminate these documents, and the ketubot (plural) had a highly distinctive shape. This shape – called an ogee arch, a rounded top culminating in a peak – allowed me to recognize when a ketubah came from Ancona in such far-flung exhibits of Judaica in Toronto, Edinburgh, and New York. It also gave my heroine a purpose and a desire: to contribute to her family’s legacy, as makers of these exquisite documents.

The second surprise was stumbling on the story of the miracle Madonna. In June, about eight months before Napoleon arrived, a portrait of the Virgin Mary in Ancona’s Cathedral purported to turn its head, smile upon the congregation, and weep. This was all documented in a Vatican recounting of the event, which included the fact that Francesca Marotti and her daughter Barbara – both characters in the novel – were the first to see the miracle.

Part of Napoleon’s campaign was the systematic looting of Italy’s artwork and religious artifacts. An anecdote tells of him denuding the cathedral in Ancona and seeing the miracle portrait. According to the story – which may be fabricated – something he saw as he stared at the painting shocked him. I couldn’t resist adding this scene! I should add that everything that happens to the portrait after Napoleon sees it is purely my invention. But the portrait itself became a critical plot device.

Host: Which of your characters resonate with you most? 

Guest: I think in many ways both of the main characters have a bit of me in them – Mirelle in her feeling toward her family and conflicting desire to accomplish something that is nontraditional, Francesca in her internal sense of rightness.

Host: What is your writing process? Do you know how it will end, as you get started?

Guest: Because research is such a critical part of my novels, I begin with a three-month “deep dive” into the material, just to get my arms around it. This is when I discover what parts of the story can be derived from the research. But since I love historical research so much, I make myself limit it to that three-month period. Otherwise, I might never emerge! But I do still keep researching, of course, as I hit the many, many times when I arrive at a scene where I don’t know what I need to know – and even consult my books and other research materials when I’m in the midst of revising.

In fact, I revised Beyond the Ghetto Gates more than I’ve ever revised any other novel. I thought I did know the end when I started – but my beta readers convinced me that I didn’t! In fact, I changed both the beginning and the end of the novel multiple times. The end itself is somewhat unusual, and many of my readers have been surprised by it. (Frankly, so was I!)

Host: How long have you been writing? When did you first consider yourself an author?

Guest: I’ve been writing since the fourth grade and always wanted to become a writer. It didn’t come easily. My first three novels never saw the light of day – thank goodness! When the third was rejected, I decided that I had tried and failed, and took a hiatus from writing. It was my youngest son whose love of writing brought me back to it – which is one of several reasons that Beyond the Ghetto Gates is dedicated to him. I first considered myself an author with the publication of my first work – a verse novel about William Shakespeare and the Globe theatre, called In the Shadow of the Globe.
 

Host: Are you already onto the next project? When will we see it in print?

Guest: Yes, I’m already deep in research for the next novel – a sequel to Beyond the Ghetto Gates in which Napoleon does something unexpected: takes a military expedition to Egypt and Israel. So we’ll be continuing with the same cast of characters. This novel took me about three years to write, so my earnest hope is that the next book will be out in 2023 – or earlier. But we’ll see.

Host: You are certainly keeping busy! Is there anything else you’d like to add?

Guest:  Here are the links to my website and social media:

Website: michelle-cameron.com Facebook Author page: /michellecameronauthor
Instagram: @michellecameronwriter
Twitter: @mcameron_writer
In addition, Beyond the Ghetto Gates can be found at all online and brick-and-mortar booksellers, including: ​  Bookshop.org| Barnes & Noble | Amazon | Kindle | Books-A-Million 

Host: Thank you, Michelle, for spending some time with us today. I believe you are leaving us with an excerpt. I know we will all enjoy the read!

Guest: Yes, the following is from Chapter Two.  Thanks so much for this interview, Mirta!

Tall buildings loomed on either side of the street. Mirelle was used to the narrow space, but today the air seemed more fetid than usual, the close-packed homes more menacing. The buildings—many built centuries before and precariously expanded upward—were crumbling at their foundations. Apartments exuded the smells of a hundred cooking pots, paint curling under the sweat and filth of packed living.

Toddlers played in the streets, ignoring the refuse running down the center sewer. Housewives stopped to gossip, straw baskets crushed against their sides. The market was bustling, with vibrant oranges and lemons piled into pyramids, cut citrus samples sharp in the spring air, bundled chard and spinach, flowery clusters of cauliflower and broccoli, and long spears of artichokes piled high. Crusty breads, fruit-filled flans, and boxes of biscotti wafted enticing odors. But today all Mirelle felt were the centuries of dirt and sweat trapped inside the enclosed ghetto. The walls pressed in on her, making it difficult to breathe. On impulse, she decided to visit a different market—the one outside the gates, where she could feel sea breeze and sunlight on her face.

During daylight hours, the ornate, wrought-iron gates at the ghetto entrance were flung wide. Because her friend Dolce often designated them as a meeting spot, Mirelle knew their every nook and curve. As she’d wait, she’d run her fingers over the peeling patterns, twisting and curling. From dawn until nightfall, ghetto residents moved freely through the stone archway into the city of Ancona. As the sun dipped behind the horizon, however, city guards slammed the gates shut and chained a heavy padlock to the bars. The clang of the closing gates always raised the hair on the back of Mirelle’s neck.

It affected her generally carefree brother even more. Jacopo often railed against being imprisoned inside the ghetto. “Just once, I want to see what the sea looks like under the stars,” he’d said one night as they stood outside, straining to see more than a few inches of night sky. “Just once, I’d like to walk freely out the gate and not have someone stare at me because I’m Jewish.”

Something had stirred in her chest as he spoke. A whole world existed outside the ghetto. If only they could both walk out of the gates freely!

But they were trapped. Day or night, whenever the Jews left their homes, they were required by law to don the yellow hat and armband that branded them as different. For as long as she could remember, Mirelle had covered her brown locks with a yellow kerchief before walking in the streets. She always wrinkled her nose in the mirror as she adjusted the badge of her faith. They make us wear yellow because it is the color of urine, she’d think distastefully. And of cowardice.

Her brother might feel caught inside the enclosure of the locked ghetto gates, but she felt doubly trapped—as a Jew and as a woman.

New Post

Searching for our Destiny~ A look at George Eliot’s, “Daniel Deronda”

Mirta Ines Trupp

Being an avid novel reader and great fan of period dramas, I decided to take a closer look at George Eliot’s, Daniel Deronda. Why this particular work? The answer is simple. My own book, Destiny by Design~ Leah’s Journey is also set at the cusp of the Zionist movement, just as Eastern European Jews begin to seek refuge in the United States of America, Argentina, and the Holy Land. I am not by any means equating myself with George Eliot; however, the thought of working in the same vein as this well-known and respected author is intriguing and must be further explored.

As a young educated woman, George Eliot (born Mary Ann Evans) associated herself with freethinkers in political and religious matters. She felt that Jews were ostracized in Britain and that they suffered from prejudice which was, at best, thinly disguised. It was some time in 1860 that Eliot met the Jewish scholar, Emanuel Deutsch. It seems that the author was so taken with the subject of Anglo Jews, she would later pen a novel and base the character of Mordecai on her close friend and early Zionist. That novel was Daniel Deronda, a classic work that speaks to Universal Truths. It is about a group of people dealing with romance and heartache, scandals, treachery and agonizing soul searching. First published in 1876, this was Eliot’s only contemporary novel; and because of its sympathetic representation of Jewish characters, her final statement on Victorian society was quite controversial.

Elliot’s provocative narrative interlaced two seemingly distinct storylines, allowing the audience—possibly for the first time—to peek into the world of Anglo-Jews; and in this attempt, she created complex characters very different from stereotypical roles. The author’s life partner, George Henry Lewes, apparently opposed Eliot’s objectives. Upon the novel’s publication he stated: “The Jewish element seems to me likely to satisfy nobody.” George Eliot’s friend, John Blackwood, also shared his poor estimation when he said, “The Jews should be the most interesting people in the world, but even her magic pen cannot at once make them a popular element in a novel.” That magic pen tackled a few sensitive subjects such as anti-Semitism in 19th century England, Zionism, and Feminism. I also found that Eliot addressed three poignant and thought-provoking themes.

Let’s explore, shall we?

SEARCHING FOR LOVE

While we tend to romanticize period dramas and their love stories, marriage was a serious matter. The idea of marrying for love—of finding that one perfect person—was the stuff of fantasy. In Daniel Deronda, we see that women could only assert their place in society by seeking an advantageous match. We watch as Gwendolen Harleth marries Henleigh Grandcourt to save her family from financial ruin, but she is helpless against his abuse and is trapped by societal expectations.

We follow Daniel as he struggles with his feelings for Gwendolen, a magnificent beauty who is in dire need of salvation and Mirah Lapidoth; a delicate, sensitive creature who lives—and nearly dies—in quiet desperation.

“You have a passion for people who are pelted,” Daniel’s guardian often reproached his lovesick ward.

One could only wonder: which woman would come to Daniel’s rescue?

SEARCHING FOR IDENTITY

Daniel Deronda is a young man plagued with uncertainty. Although he has been raised by a devoted guardian, Sir Hugo Mallinger, Daniel’s inner turmoil derives from not knowing his roots. Where does he come from? Who are his people? When circumstances reveal the verities of his history, Daniel represses his self-identity to suit his position as a true Englishman. After all, in 19th century England, Jews were mysterious foreigners. What did he know of those people?

When we are first introduced to the would-be heroine of the novel, we find Gwendolen Harleth to be a somewhat petulant beauty, yet one who dazzles friends and family with her charms and accomplishments. She is spoiled and prone to hysterics, but Gwendolen is tested—as we all are in real life. She struggles to surmount the endless bombardment of obstacles and misfortunes that shape her life. Finally, in a testament to her true mettle, she determines to prove herself worthy—for her own sake—and reinvents a better self.

Mirah Lapidoth’s first appearance in the novel is one of despair and despondency; however, her childlike mannerisms and endearing characteristics are deceptive, for she has survived much. Torn away from a traditional Jewish home, she lost her family and was subjected to ridicule and rejection by her own father’s cruel actions. Mirah quickly became aware of her insignificance in the world, but when Daniel saves her from the river’s edge, she slowly rebels against her circumstances. Longing to reunite with her true essence, Mirah aligns herself to her people—her passion—and rallies once more.

SEARCHING FOR DESTINY

Sir Moses Montefiore and Lady Judith—arguably the most influential Anglo-Jewish couple of the Georgian and Victorian eras—visited the Holy Land in 1827. They returned on several occasions, donating generously to promote industry, education and health in that beleaguered region. By the end of the 19th century, a movement for the re-establishment of a Jewish nation was led by Theodor Herzl. Eastern European Jews, fleeing tyranny, segregation, and famine, made their way to the Holy Land and other countries willing to receive the massive wave of immigration. Meanwhile in Paris, another organization was coming to light under the direction of Baron Maurice Hirsch. “The Moses of South America,” Baron Hirsch established the Jewish Colonization Association to help the persecuted Jews find their freedom and their destiny in the fledgling nation of Argentina.

While Eliot’s protagonist was certainly not in dire straits—neither fleeing for his life nor foraging for his dinner—Deronda would not inherit Sir Hugo’s title and land, as he was not Mallinger’s legal heir. Daniel was presented with another definition of destiny. His guardian suggests a talented and passionate individual should carve his own path in life and, at length, we find that Daniel does indeed discover that he can be the master of his own fate.

Unassuming and gentle Mirah finds the wherewithal not only to survive, but to thrive in her new found path—and happily, so does Gwendolyn. Although she loves Daniel, Gwendolyn relinquishes him to what she knows to be his rightful path; and in doing so, she proves to herself that she is good.

I see both Gwendolyn and Mirah in my own young protagonist, Leah Abramovitz of Destiny by Design~ Leah’s Journey. Leah has much to learn, and much to achieve, as she makes her way from the Pearl of the Black Sea to the Argentine pampas.

Those of us who are ardent lovers of period drama, appreciate a story that takes us to another place and time. That is what I have attempted to do with my books. We admire stories that are rich with longing, struggle and redemption because—whether we share the same ethnicity, culture or religion—we can relate to the various Universal themes.

Perhaps George Eliot’s true controversy was to show that growth and peace of mind comes from self-knowledge and not from societal status, a difficult concept to grasp—whether in the Victorian era or in the present day. Once we peel away the labels, whether self-inflicted or imposed by others, we can see ourselves in the narrative and find the way to fulfill our own destiny.

Jewish Historical Fiction

From Social Calls to Matzah Balls, a look at Jewish Austen Fan Fiction

Mirta Ines Trupp

The hosting, and attending, of morning calls, house parties, routs, balls and assemblies was imperative for those entering the upper echelons of society—think of Mr. Bingley and his sisters, who had so recently borne the “stench of trade.” How much more so for foreigners…

During the nineteenth century, Jews were experiencing unprecedented mobility in English society; and while this certainly was a blessing, the process of acceptance in the Anglican world threatened to erode their level of religious observance. The simple act of sharing a meal among friends presented certain complications. Cookbooks of the era did not take into consideration the ingredients or combinations that were prohibited in a kosher kitchen, such as the mixing of meat and dairy, or the partaking of shellfish or pork. Lady Montefiore (née Judith Barent Cohen 1784-1862) was the first to affirm, in so public a fashion, the existence of a distinctive Jewish cuisine and to draw from both Sephardic and Ashkenazi traditions (in general terms, Sephardic Jews hail from the Iberian Peninsula, but also such places as Italy, Greece, and Northern Africa. Ashkenazi Jews encompass Eastern Europe).

Much like Jane Austen, Lady Judith was a keen observer of human nature. Her book, The Jewish Manual; or, Practical Information in Jewish & Modern Cookery, with a Collection of Valuable Recipes & Hints Relating to the Toilette, therefore, was much more than a guide to cooking within the Jewish dietary laws known as kashrut. She meant “to guide the young Jewish housekeeper in the luxury and economy of the table, on which so much of the pleasure of social intercourse depends.” She encouraged homemakers to present elegant dinners, and to not draw any undesirable attention to the kosherness of the preparations. The end result would produce “haute cuisine that was invisibly Jewish and gastronomically exceptional.”

Montefiore was a great proponent of female education; and in keeping with Austen, she had a profound understanding of a woman’s lot in Regency England. The author pointedly wrote about the importance of cultivating the mind, and stated that womanhood should encompass “individuality, self-control, reason, intellect and fine feeling.”  Miss Elizabeth Bennet is the personification of that description, don’t you think? In her final chapter entitled “Influence of the Mind as regards Beauty,” Lady Judith professes that “all the milk of roses and essence of lavender in the world could not make a woman beautiful whose inner life was not up to standard.” It seems that Lady Judith and Miss Austen were of the same mind. Recall Mr. Darcy’s rejoinder when he said: “And to all this she must yet add something more substantial, in the improvement of her mind by extensive reading.”

“Let those females, therefore, who are the most solicitous about their beauty, and the most eager to produce a favorable impression, cultivate the moral, religious and intellectual attributes, and in this advice consists the recipe of the finest cosmetic in the world.”

Judith Barent Cohen was a child of an immigrant linen merchant; and while her father was successful, Judith identified with the “middling” class. Although they practiced strict religious observance at home, her father was a devotee of Moses Mendelssohn, a leader in the Jewish Enlightenment movement. Because of this alignment to a philosophy that encouraged secular studies and modernization, Judith was highly educated and spoke several languages. After her marriage in 1812, she held a place of some importance within England’s upper class. Her book offered suggestions “so that a lady’s physical appearance, accomplishments, inner qualities, and even her table could be an extension of herself—not as a Jew, but as a civilized person.”

Here is a snippet from The Meyersons of Meryton, where Mrs. Bennet—of all people—teaches us a lesson in civility:

“Do tell us about your good works, Mrs. Meyerson. Your husband mentioned such provocative activities. I would hear it from your own lips.”

“Mr. Meyerson tends to flatter when, in truth, I am the fortunate one. Charitable works are a blessing for the giver as well as the receiver.”

Mary nodded her agreement and quoted a favorite verse, “One who is gracious to a poor man lends to the Lord, and He will repay him for his good works.”

“Truly, the repayment, if it may be considered as such, is the great privilege to work alongside generous, intelligent women such as Judith Montefiore. Currently we are working on establishing a school for underprivileged Jewish girls. They will learn a trade and be able to find work in Jewish houses which, you must understand, are always looking for employees who are familiar with our ways.”

“Pray, enlighten us,” Lady Lucas said. “While it is true that good help is hard to come by, why should standards be any different in a Hebrew household?”

“The girls are taught to work in kosher kitchens for the elite in our society who keep our dietary regulations,” Mrs. Meyerson replied.

“If your people wish to socialize with The Upper Ten, they must needs learn to adapt to British fare and give up their dietary regulations altogether!” Lady Lucas retorted rather emphatically.

“Many families, sadly, have done just that, and others, such as in my household, attempt to find a solution that is appropriate for their circumstance. My husband and I, as well as Mr. and Mrs. Montefiore, do not concern ourselves overly much with kashrut when we are away from home. In truth, I tend to make do with what is put before me, but Judith is quite formidable! She is ever experimenting and creating new recipes, refusing to lower her standards, for she is adamant we need not suffer by keeping faith with our laws.”

“I dare say, if these Montefiores are truly in society, they would not venture to impose their peculiar ways upon the ton.”

“You would be mistaken, Lady Lucas, for my cousins entertain many prominent families of the highest social circles and, even more astonishing, their Christian acquaintances are demanding their own chefs learn to prepare a kosher cuisine. It appears The Upper Ten find it not only satisfying, but a delight to their fastidious digestion.”

Mrs. Bennet smiled at one lady and then the other. While Lady Lucas was a person of some import in Meryton, it was clear the Meyersons had notable connections in Town. Who was to say that their acquaintance would not prove to be advantageous for her girls? It was necessary to speak a little; it would be odd to be entirely silent on the subject. Therefore, Mrs. Bennet, in her effort to appease both parties, believed she had found some common ground. “Perhaps,” she suggested, “these recipes would not only benefit ladies of the Hebrew persuasion. Pray recall, Lady Lucas, we ourselves are charged to make dishes without meat or dairy many times throughout the year such as during the Lenten or fasting holy days. Perhaps it is not so peculiar as it appears to be at first glance.”

Elizabeth overheard this exchange and was astonished. Why, her mother’s words were practically revolutionary!

Originally posted on Austen Authors.net on October 30, 2020

Jewish Historical Fiction

Jewish Austen Fan Fiction, a look into Mirta Ines Trupp’s world of J.A.F.F.

Mirta Ines Trupp

Greetings and welcome to my debut post. I am delighted to make your acquaintance, if only through this medium. Shall I begin by properly introducing myself? Unlike Miss Jane Austen, I was not born in a scenic village in rural England. My family were neither descendant of landed gentry, nor were they Anglican. Far from it! Just prior to the revolution, my grandparents escaped the pogroms and persecution of Imperial Russia, and immigrated to Argentina. This was largely due to the auspices of a philanthropic organization created by Baron Maurice Hirsch, which rescued Jews trapped in the Pale of Settlement. I was born in Buenos Aires; but, by the end of 1962—the year of my birth—my parents immigrated to the United States of America.

From an early age, I was mesmerized by stories of young ladies from days of yore. My exigency for Historical Fiction continued as I grew older, but when I discovered Jane Austen, I was besotted. The truth of the matter was that the history, combined with the foreign settings, fashion, and mannerisms captured my heart and my attention. I began writing late in life, mainly when I transitioned into being an empty-nester. I wrote a coming-of-age memoir and two historical fiction novels, loosely based on my family’s immigration stories.  But when I began delving into the history of British Jews, the trappings for a new project began formulating; one where I could pay homage to Miss Austen, while acknowledging my culture and flavoring it with a bit of Yiddishkeit (Jewish qualities or essence). Having never written a fan fiction, I readily admit the venture was a bit daunting. Jane’s own words were sufficient impetus to forge ahead. In a letter to librarian, James Stanier Clarke, she wrote the following:

“I could not sit seriously down to write a serious Romance under any other motive than to save my life, & if it were indispensable for me to keep it up & never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No – I must keep my own style & go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.”

The synagogue’s dedication took place on June 16, 1833

Needless to say, I took Miss Austen’s advice and wrote a J.A.F.F. —that’s Jewish Austen Fan Fiction—in a style all my own. In doing research for “The Meyersons of Meryton,” I found that there were many eminent Jewish families in my focus Regency-period, such as the Montefiores and the Rothschilds, whose role in society cannot be denied and should not be forgotten. I will share a few tidbits to (hopefully) whet your appetite. Moses Montefiore and Judith Barent Cohen were married in 1812. They honeymooned in Ramsgate; and were so enchanted with the sea side resort, they purchased an estate there and commissioned a synagogue to be built for the local Jewish community. Through their philanthropic work, they went on to become one of the most influential Jewish couples throughout the Georgian and Victorian era.

Lady Judith Montefiore

Lady Judith assisted her husband in his communal affairs and public activities. She was an authoress, writing of their experiences visiting Damascus, Rome, St. Petersburg and the Holy Land.  More than travel logs, these works were hailed as spiritually inspiring and educational. She wrote a “how-to” manual for ladies who mixed and mingled with a diverse society. She adapted recipes to conform to Jewish dietary laws, replacing ingredients such as lard, so much used in English kitchens, and eliminating shellfish and forbidden meats. It was said that, many of her non-Jewish guests, began insisting on a kosher-style cuisine in their own homes, as their gout and dyspeptic maladies lessened. Lady Judith recommended simplicity in dress, considered delicate hands a mark of elegance and refinement, and carefully assessed the effect of diet on the complexion. The imagery of this famous couple, socializing and hobnobbing with the upper echelons of London society, was enough to seduce my imagination! It certainly was more alluring than the stereotypical characterizations of greedy money lenders and lowly rag merchants heralded in classics written by Shakespeare, Chaucer and Dickens.                                                         

Sir Moses Montefiore

Creative license allowed me to use Miss Bingley, Mrs. Phillips, and Mrs. Bennet as vehicles for ignorance and ill-manners in my novel. Here is a snippet from a scene where the Bennets and the Meyersons are becoming acquainted:

Mrs. Bennet fidgeted in her chair, uncomfortable with the topic and uncertain if was proper to speak of such a delicate matter in one’s dining room. Attempting to direct the conversation to something to which she could contribute, she grasped at the flittering thoughts that crossed her mind.

“Pray tell me, sir, how are you acquainted with my brother?”

“It is rather a complicated story, ma’am, and it all began thanks to the machinations of two enterprising ladies.”

Mr. Bennet snorted and muttered something mercifully imperceptible. However, its meaning did not escape his wife, whose disapproving mien conveyed her thoughts.

“Let me see if I can unravel this web of familial connections and Divine Providence,” he said, rubbing his hands together as if preparing for a great feast. “As I believe we mentioned, my wife is related to Moses Montefiore, a Sephardic Jew. They are cousins through mutual relations with the Mocatta family—who, if you are interested, Miss Mary, settled in this country in the 1670s! In any event, Montefiore took to wife a lovely young lady from a prominent Ashkenazi family by the name of Judith Barent Cohen.”

“Jacob, perhaps you should get to the point,” Mrs. Meyerson encouraged.

“Quite right, dearest. You see, Miss Judith, nay, Mrs. Montefiore, is a patron of the Jewish Ladies’ Loan and Visiting Society and an officer of the Jews’ Orphan Asylum, as is my Sofia! Both ladies participate in a veritable host of philanthropic organizations. While they are from different communities, they soon became friends without knowing they were related—distant cousins, of course but, nonetheless, related.”

“I believe Mr. Montefiore is connected to Nathan Mayer Rothschild, a man of some importance in London’s financial world,” Mr. Bingley added.

“Indeed! The men are connected by marriage. Mrs. Montefiore’s sister, Hannah, is married to Mr. Rothschild, but it does not end there. Moses Montefiore’s brother is married to Rothschild’s sister.”

“I say!” Sir William exclaimed.

“It is exceedingly diverting, striving to follow the branches of this family tree, and most particularly because marriages between Sephardim and Ashkenazim have been frowned upon…until recently, that is. My own union was much criticized,” he said with a wink towards his disapproving wife. “Yes…well—I digress. Because the two ladies were much thrown together organizing charitable balls and philanthropic events, Mr. Montefiore and his wife have been frequent visitors in our rather unfashionable neighborhood of Cheapside.”

“Ah,” Mrs. Bennet said, waving a delicate fan about her heated face imagining the illustrious society of said ‘charitable balls’ and ‘philanthropic events.’ “And now I see. You met my brother there.”

“Precisely, but not for the reason you might think. Mrs. Meyerson’s brother, Aaron, owns a factory near Gracechurch Street. He was recently blessed with a generous military contract and will have need of employing many people who would otherwise be destitute.”

“Unfortunately,” Mr. Darcy said dryly, “war is good for business.”

“The military requires a host of goods and in massive quantities, to be sure. Everything from tents, knapsacks, and uniforms, to muskets, gunpowder…”

“Jacob—” A gentle prodding was whispered.

“I believe you take my meaning,” said Mr. Meyerson with a sheepish grin. “In any event, it was Montefiore and a few of his colleagues who came to Cheapside and introduced my brother-in-law and many other merchants of the East End to Mr. Gardiner and his business partners. Your brother, Mrs. Bennet, and my brother-in-law have put their heads together for a grand business venture! Aaron will produce the merchandise and Mr. Gardiner will use his warehouses to store and distribute accordingly.”

“I would not have expected such maneuverings and assignations,” exclaimed Mrs. Bennet, “but of course, I wish them much success—anything to bring Little Boney to his knees!”

I cannot confirm or deny that Miss Austen would have interacted with anyone from the Jewish community; nonetheless, this daughter of a clergyman did take a stand against anti-Semitism. When Mr. Thorpe, of “Northanger Abbey” fame, spews out that Mr. Allen is “as rich as a Jew,” our dear Miss Moreland is speechless. Thorpe truly is an ill-mannered, insufferable—ignorant—young man!  Jane Austen understood human nature and took pleasure in bringing unseemly realities to light. I feel her portrayal of Mr. Thorpe’s nasty character speaks volumes. In writing a “Pride and Prejudice” vagary, I aspired to take a page from Austen’s repertoire and emulate her social commentary. The Montefiores and the Rothschilds are prime examples of non-Anglicans thriving in England’s Regency society. It was my hope that “The Meyersons of Meryton” would exemplify how people of different faiths can focus on their commonalties and help one another in difficult times. In today’s world, as in Austen’s day, that quintessential Universal Truth still rings true.

Mirta Ines Trupp, Author of Jewish Austen Fan Fiction

Originally posted on Austen Authors.net on October 2, 2020